An odd couple ``kidnap'' the final cut negative of a Hollywood blockbuster in this overblown caper novel—Covino's first, following his story collection, The Off-Season (1985—not reviewed). Frank Furio is the Ivy League yuppie son of a New York mobster; he has just done two years for masterminding a real-estate scam. Wilbur Blackfield is a down-at-heels professor of film who proposes they steal the negative of the soon-to-be-released, $67 million-dollar sequel to The High Plateau of Stars, the film that established Doug Lowell as a ``world-class moviemaker.'' The heist goes smoothly, but the blackmail attempts go nowhere because Lowell, holed up on his Santa Cruz mountain estate, has become convinced that his endlessly delayed, way-over-budget movie is ``rank with death-stench'': he would rather collect the insurance than get the negative back. Stalemated, Frank then kidnaps two San Francisco movie critics, hoping that, after their very private screening, they will convince Lowell of his mistake. Does this sound like the ideal fast-paced caper? It's far from it. Covino alternates narrators, first Furio, then Lowell; all that distinguishes them is Lowell's gabbiness. His long, narcissistic ruminations on creativity are one strike against a successful caper; the blink-of-an-eye speed of the kidnappings is another; and the third is that many later developments are reported on TV news while the kidnappers watch. As Furio says lamely: ``The story seemed to have passed from us.'' Covino's larger purpose is to demonstrate ``gangsterism as artistry—opposite sides of the same crazy coin''—but to get mileage out of this unoriginal proposition, you need credible gangsters and artists, those being not the case here. (First printing of 50,000)
Pub Date: July 1, 1993
ISBN: 0-670-85078-0
Page Count: 416
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 15, 1993
Categories: GENERAL FICTION
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The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.
Pub Date: June 15, 1963
ISBN: 0451228146
Page Count: 181
Publisher: Praeger
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: June 15, 1963
Categories: GENERAL FICTION
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