by Michael Curtis Ford ‧ RELEASE DATE: June 1, 2001
Ford brings an interesting, fictively personal outlook to one of the classics. Inspired and highly informed, The Ten...
Xenophon’s Anabasis provides the model for this epic first novel of Greek mercenaries stranded in the heart of the Persian empire during the late fifth century
When Xenophon composed the Anabasis he used the pseudonym Themistogenes of Syracuse, but here, Ford brings Themistogenes—Theo—to the foreground as narrator and protagonist. Xenophon’s lifelong companion, Theo is initially a slave, later a freedman, and now serving as aide-de-camp. It’s through Theo’s eyes that we see Xenophon’s growth from a rather delicate and pampered boy to the questioning young scholar who sits at the feet of Socrates, to the soldier of fortune. The main action takes place after Athens’ defeat by Sparta and the subsequent reign of the Thirty Tyrants. Xenophon is lured to the mercenary life, against his father’s wishes, by a cousin, Proxenus, who is in the command of Cyrus the Younger, half-brother to the Persian king Artaxerses and pretender to the Persian throne. When Cyrus is killed in battle, the entire Greek command, ten thousand strong, is left to fend for itself in hostile territory. Later, when the Greek commanders, including Proxenus, are treacherously murdered by the Persians, Xenophon leads them through Asia Minor and Armenia to the Black Sea. Having Theo narrate is a nice touch, as he can move freely through the army’s strata. His observations and comments are sharp, the way we have come to expect a person of his rank to behave in literature. With the exception of Socrates, he spares no one, and is pointedly critical of Thucydides, historian of the Peloponnesian War. The descriptive language throughout is heroic, at times echoing the Iliad.
Ford brings an interesting, fictively personal outlook to one of the classics. Inspired and highly informed, The Ten Thousand may lead many readers back to the original.Pub Date: June 1, 2001
ISBN: 0-312-26946-3
Page Count: 384
Publisher: Dunne/St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2001
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More by Michael Curtis Ford
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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