A deeply affecting, hard-to-put-down work that depicts a girl’s dark odyssey through obsession toward healing insight.
In this latest novel by a prolific author of YA fiction, a teenager’s life spirals out of control as she desperately attempts to evade the savage manifestation of her fear.
Not even high school is safe for Milly Malone, a 15-year-old who must engage in a never-ending battle to keep an evil wolf at bay using her only magic spell. Before she passes by or through a door, takes a bite of food, or speaks, she must count to 100 to stay “on safety’s slender path,” or the wolf of the Dark Wood will wreak havoc. But Milly’s spell is weakening, and when she trips before finishing a count, the Dark Wood engulfs her. This deeply observant and empathic tale isn’t spinning readers into a realm of the supernatural. Stewart (Keep in a Cold, Dark Place, 2017, etc), author of fiction and nonfiction for children, teens, and adults, instead weaves threads of unsettling fairy tales into something achingly real: the first-person narrative of a young girl’s crippling descent into obsessive thinking. After her collapse, Milly is followed by her wolf to a pediatric psychiatry ward. It prowls through her therapy sessions, daily routines, and interactions with the other memorably drawn, authentic, and ethnically and racially diverse teen patients. Milly views her life and those around her through a prism of fairy tales (a tie to her dead mother), and Stewart punctuates the gritty, funny, heart-wrenching narrative with a reshaping of more obscure and unsettling stories by the Brothers Grimm. The wolf’s hot breath and claws feel as real to readers as they do to Milly, but who, or what, is the wolf? The barrier to Milly’s recovery finally crumbles with her realization of the beast’s real-world identity, a disturbing insight bringing hope in its wake. The author doesn’t sugarcoat Milly’s hospital environment. Unpleasant encounters, challenges, and setbacks for both the young patients and staff ring true, as do the breakthroughs, humor, and evolving relationships. At its core, Stewart’s memorably inventive novel destigmatizes mental illness and sends a message that seeking help can make life better.
A deeply affecting, hard-to-put-down work that depicts a girl’s dark odyssey through obsession toward healing insight.Pub Date: Aug. 14, 2017
ISBN: 978-0-9937579-4-5
Page Count: -
Publisher: The Publishing House
Review Posted Online: July 21, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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