A deeply affecting, hard-to-put-down work that depicts a girl’s dark odyssey through obsession toward healing insight.
In this latest novel by a prolific author of YA fiction, a teenager’s life spirals out of control as she desperately attempts to evade the savage manifestation of her fear.
Not even high school is safe for Milly Malone, a 15-year-old who must engage in a never-ending battle to keep an evil wolf at bay using her only magic spell. Before she passes by or through a door, takes a bite of food, or speaks, she must count to 100 to stay “on safety’s slender path,” or the wolf of the Dark Wood will wreak havoc. But Milly’s spell is weakening, and when she trips before finishing a count, the Dark Wood engulfs her. This deeply observant and empathic tale isn’t spinning readers into a realm of the supernatural. Stewart (Keep in a Cold, Dark Place, 2017, etc), author of fiction and nonfiction for children, teens, and adults, instead weaves threads of unsettling fairy tales into something achingly real: the first-person narrative of a young girl’s crippling descent into obsessive thinking. After her collapse, Milly is followed by her wolf to a pediatric psychiatry ward. It prowls through her therapy sessions, daily routines, and interactions with the other memorably drawn, authentic, and ethnically and racially diverse teen patients. Milly views her life and those around her through a prism of fairy tales (a tie to her dead mother), and Stewart punctuates the gritty, funny, heart-wrenching narrative with a reshaping of more obscure and unsettling stories by the Brothers Grimm. The wolf’s hot breath and claws feel as real to readers as they do to Milly, but who, or what, is the wolf? The barrier to Milly’s recovery finally crumbles with her realization of the beast’s real-world identity, a disturbing insight bringing hope in its wake. The author doesn’t sugarcoat Milly’s hospital environment. Unpleasant encounters, challenges, and setbacks for both the young patients and staff ring true, as do the breakthroughs, humor, and evolving relationships. At its core, Stewart’s memorably inventive novel destigmatizes mental illness and sends a message that seeking help can make life better.
A deeply affecting, hard-to-put-down work that depicts a girl’s dark odyssey through obsession toward healing insight.Pub Date: Aug. 14, 2017
ISBN: 978-0-9937579-4-5
Page Count: -
Publisher: The Publishing House
Review Posted Online: July 21, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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