Reads like an emergency manual for activists battling environmental despoliation.
In this sequel to The Fracking War (2014), a small-town New York newspaper crusades against a thuggish energy company.
After losing his wife, Devon, to a drowning accident, journalist Jack Stafford returns from the island nation of Tonga to Horseheads, New York, with his 3-year-old son, Noah, and sister-in-law Cass. At the Horseheads Clarion newspaper, Jack takes the publishing reins back from editor Eli Gupta in time to dedicate his “Column One” editorials to the unsavory activities of Grand Energy Services. The company wants to store propane and natural gas in the salt caverns of Rockwell Valley, Pennsylvania, and build a pipeline through dairy farm country—with minimal input from the citizens affected most by the activities. Jack and his team of journalists use the paper to educate and warn the people of Rockwell Valley that fracking—which blasts water and various chemicals through shale to dislodge gas deposits—adds toxins to water supplies and increases the likelihood of earthquakes. There’s also the danger of stored gas leaking and exploding. Grand Energy, however, is run like a mob by CEO Luther Burnside. He’s got local politicians and judges in his pocket to smooth the way for his greedy agenda, which calls for shipping most of the gas overseas. Balancing the scales are the supposed eco-terrorists, the Wolverines, and a no-nonsense retired teacher named Alice McCallis. Former reporter Fitzgerald brings the weight of a long career to this series; his latest novel offers readers every angle they could ask for in the war between a small town and a company that would seek to subvert free speech and constitutional rights. Scenes with Jack and his staff are often a crash course in deft reportage, as when Jack warns a writer against skimping on scientific detail: “We are publishing stories and photos and videos about an environmental war that the public is losing,” he says. “I can’t have soldiers who don’t know how to fight.” Jack’s personal drama, including his traumatized son who can’t speak, ends up adding a positive human element to a narrative flush with despicable politics and chaos.
Reads like an emergency manual for activists battling environmental despoliation.Pub Date: N/A
ISBN: 978-1-63413-555-9
Page Count: 368
Publisher: Mill City Press
Review Posted Online: Sept. 10, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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