A riveting character study even during its most appalling moments.
In McGovern’s dark debut thriller, a troubled man snaps and commits murder—again.
Aaron Walsh lives rent-free in Dublin with his mother, Mary, and younger sister, Rachel. He hates the idea of growing old, so he fantasizes about committing suicide or becoming a murder victim. His days generally start with Mary hounding him about housework, while unemployed Rachel does little other than stare at her smartphone. Things aren’t much better at Computer Heaven, the computer repair shop where Aaron listens to endless complaints from walk-ins. Surprisingly, he’s intrigued by one of the customers—a woman named Jane, who’s seemingly immune to Aaron’s excessive eye contact, which he says gives people the “heebie-jeebies.” He comes up with a plan to drop off Jane’s computer at her home, hoping that he can get himself invited inside, but things don’t go the way that he hoped. Instead, he succumbs to a violent outburst that turns homicidal. As it turns out, it isn’t the first time that he’s killed someone—and sadly, it won’t be the last. Although this story is often somber and grotesque, McGovern injects enough nuance to prevent it from being a mere blood bath. For example, he sporadically pulls away from Aaron’s first-person narrative to offer other characters’ perspectives. Most are posthumous, but they offer tender recollections that make them sympathetic, or they show how Aaron looks through another person’s eyes. There’s a drastic plot turn in the latter half of the novel that implies that Aaron is cracking up; it’s unclear if some or all of what’s happening is only in his head, but the ambiguity only makes things more intriguing. Overall, Aaron is an unsavory character, to be sure, but he sometimes has heartfelt flashes of insight: “Life is all one big trap and no one sees it because they are too busy playing along.”
A riveting character study even during its most appalling moments.Pub Date: May 1, 2017
ISBN: 978-0-9956108-0-4
Page Count: 176
Publisher: Carrowmore
Review Posted Online: April 30, 2017
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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