To be read and savored before it’s ruined as a movie.
An ancient antiquarian in Zurich is held accountable at the end of her life for the wicked tactics she used to survive and prosper in wartime Berlin.
Novelist, historian, and journalist Pye (Taking Lives, 1999, etc.) does slow, relentless, and at last great justice to this fact-based story of greed, theft, and betrayal and the glamorous Milanese woman around whom it’s all spun. Opening with a funeral in the chill of present-day Switzerland, Pye sets out the wanderings and musings of Nicholas Müller-Rossi, whose estranged father has just died. Unwelcomed by his half-family, Nicholas, a retired academician, nevertheless attends the rite, remembering his Swiss father’s brief closeness before the war and how the restlessness of his mother Lucia, an Italian, separated them forever. Lucia lives on. Now in her 90s, she presides over her shop of luxurious antiques and art objects, a respected if not loved pillar of the mercantile community. Her rotten business and moral underpinnings are, however, about to be exposed. Nicholas’s daughter Helen encounters an elderly woman in tears in front of Lucia’s elegant shop. It’s Sarah Freeman, whom Lucia knew and betrayed as Sarah Lindemann: the immensely pretty and valuable marquetry table in the window was stolen from Sarah in the last furious days of the Reich. Helen’s attempts to pry the story out of the bitterly reticent Sarah ultimately involve her father Nicholas and also Peter Clarke, another wartime survivor with a bitter story. Her efforts further involve the local legal machinery, and what emerges is the truth of Lucia’s life as a demimondaine in Hitler’s capital, along with all the details of how she came into possession, if not ownership, of a fortune in art and antiques, spirited her loot out of Germany, and set up a life for herself and the schoolboy son who saw but did not yet understand all she did. Did she do any of it for Nicholas? Or was it all for Lucia? Is justice still achievable? Or desirable?
To be read and savored before it’s ruined as a movie.Pub Date: Feb. 28, 2003
ISBN: 0-375-41436-3
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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