THE DEATH OF FRANK SINATRA

Ventura's typically overwrought prose (The Zoo Where You're Fed to God, 1994, etc.) here competes with the recent spate of films about the same subject—that modern-day Babylon in the desert, Las Vegas. As usual, Ventura overlays lots of gonzo theology and cool-guy posturing on a plot that doesn't live up to its noir pretenses. Mike Rose—short for Rossellini—is a true child of Vegas, the son of a showgirl and a gangster. A private investigator in his 40s, Rose knows where the bodies are buried. After all, his pop (``Eddie Maybe'') was a hit-man who went bonkers after participating in the biggest hit of his career—the cleanup to the Kennedy assassination, a job that led to his own disappearance. Rose can keep a secret, even though his mentally disturbed brother, Alvi, can't—he blames their strange family history, including some old porno made by his mother, for his own odd behavior. It's Alvi's loose talk, overheard on one of his brief stays at home from the loony bin, that leads to Rose's current mess. It turns out that the family's best friend, another gangster named Zig, saw to Eddie Maybe's demise, an act for which he hopes to atone by arranging his own death at Rose's hand. The current mob boss, Gino Lampedusa, wants Rose and his brother eliminated, but so does another character who seems to come from left field, a computer entrepreneur whose wife has hired Rose to hide a stolen disk. For all its complications, the plot doesn't add up to much; it's mostly an excuse for Ventura to indulge his ideas about the Vegas mythos (with Sinatra as godhead) and to rue the waning of the old days, symbolized by the Dunes being torn down. Ventura punctuates his narrative with lots of gangster how- to's and some tiresome conspiracy riffs, none of which compensates for a sluggish story.

Pub Date: Sept. 1, 1996

ISBN: 0-8050-3738-1

Page Count: 320

Publisher: Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1996

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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