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RIVERTOWN HEROES

A mystery in which melodrama reigns, with an admirably tenacious protagonist.

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In Cohen’s debut thriller, a lawyer returns to his Washington hometown in the 1970s only to discover a swarm of illicit endeavors may be linked to his family.

Nathan Hirsch is a low-ranking but zealous attorney at a Washington, D.C., firm. Though he generally follows his boss’s script in the courtroom, Nathan takes an opportunity to branch out on his own. This unfortunately entails violating one of the firm’s policies and results in his termination. He retreats to Bethell, Washington, where his depressed mother rarely goes outside, having never recovered from the deaths of her older son, Ritchie, in Vietnam, and her husband, Leon, from a heart attack. Staying in Auntie Riva’s basement, Nathan has a chance to practice law again thanks to “Uncle” Harry King, a family friend and his parents’ lawyer. Nathan isn’t yet licensed in Washington state, but a judge allows him to act as public defender under Harry’s supervision. The same judge later pressures Nathan into representing Wally Richmond, a man arrested for burglary and the murder of “Uncle” Si Galitzer, another Hirsch family friend. Meanwhile, Harry, executor of Si’s will, enlists Nathan as his attorney. Harry anticipates that Si’s brother, Frank, will be in an uproar over a piece of the will, but Nathan wasn’t expecting the peculiarities surrounding Si. Digging deeper exposes a string of shady deeds and businesses as well as the possibility that Harry’s somehow involved. Cohen slowly sets the hook for readers. Nathan’s inevitable downfall in D.C., for one, isn’t a mere preamble but a meticulously drawn-out event. Characters unhurriedly reveal rich back stories, from Harry to Nathan’s D.C. boss, Lynn Reilly. The novel is unquestionably a murder mystery, and there are several suspicious characters. The most riveting is Ritchie. Nathan blames himself for events that drove his brother out of the family. This also ties to Katie, Ritchie’s girlfriend, currently in Bethell and seemingly harboring ill will toward Harry. Nathan’s lack of confidence often dulls the narrative. He sees himself as Reilly’s or Harry’s “puppet” and a lesser man than Ritchie. His keen observations, however, produce effervescent details: in Auntie Riva’s parlor, “the walls do not shake with the past chatter or the laughter that would make a place feel lived in, sounds you might expect to seep into the walls over generations and echo back across time.” The story has merit as a legal thriller; though few scenes take place inside a courtroom, Nathan successfully employs legal maneuvering (e.g., at a bank) to retrieve information. But the genuine focus is on Nathan as a young man overcoming never-ending hurdles. Watching him fight to earn respect within his family and as a lawyer is exhilarating, even before considering all the criminal goings-on.

A mystery in which melodrama reigns, with an admirably tenacious protagonist.

Pub Date: Nov. 27, 2016

ISBN: 978-1-5328-7925-8

Page Count: 306

Publisher: CreateSpace

Review Posted Online: Oct. 12, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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