Proficiently develops characters, relationships, and storylines in the midst of nonstop action.
The fifth entry in Arceneaux’s (North Beach, 2015, etc.) thriller series finds the Sweetwater family searching for one of their own—19-year-old Augie, who inexplicably vanished in Mexico.
Though it’s been only a couple of days since Raul Sweetwater’s heard from his son, Augustus, he’s still worried. Augie had been touring the Mexican Gulf Coast to touch base with clients of Sweetwater Marine, the family’s Texas business. Raul voices his concerns to his uncle Charlie, and despite Charlie’s assurance that Augie is fine, the family’s phone calls to customers and the U.S. Embassy in Mexico City have turned up nothing. So Charlie and Raul head south. Charlie flies to the southern end of the Gulf in Veracruz, while his nephew works his way down the coast until the two reconnect in Tuxpan. Both men—hearing stories of Mexican drug cartels as well as a vicious one-eyed pirate named Mal de Ojo (Evil Eye)—surmise that someone has kidnapped Augie. In the meantime, the dazed teen awakens on a boat, held captive and secured by a chained metal collar. Now effectively a slave, Augie can wait for rescue or try to escape, either option providing the distinct possibility that he won’t survive. Arceneaux sets a breathless pace from the beginning by separating Charlie and Raul, who gather info and clues twice as quickly. In the same vein, perspective from Augie bolsters suspense. He’s introduced on the ship, initially baffled as to how he ended up there. His scenes are often bleak, courtesy of his brutal captors, but the story eases tension with comic relief. Augie, for example, imagines a letter to his family: “Dear Mom, Dad, and Sis—It’s been a good month for pillage and plunder.” The tale references events from preceding books, though narrative context ensures readers who are just joining the series won’t be lost.
Proficiently develops characters, relationships, and storylines in the midst of nonstop action.Pub Date: Oct. 20, 2017
ISBN: 978-0-9968797-4-3
Page Count: 216
Publisher: Brent Douglass
Review Posted Online: Nov. 9, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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