Set mostly in Afghanistan during the Soviet Union’s ill-fated invasion, a first novel by the man who ran the CIA’s covert operation there. Clearly, Bearden knows whereof he speaks and can well follow the zigs and zags of geopolitical maneuvering, not to mention having an easy familiarity with sophisticated weaponry. When he details a high-tech rescue operation on behalf of beleaguered Afghan freedom fighters, you believe every word as he convincingly captures the excitement—and terror—of war. Bearden’s swiftness and sureness of pacing draw the reader in, but good storytelling also needs alluring characters whom readers can care about—and while his story clamors for rounded, complex people, Bearden doesn’t supply them. The plot here centers on negotiations over a captured Soviet lieutenant who turns out to be the son of the Soviet commanding general. Helping the Afghans is Alexander Fannin, half Russian, half Ukrainian, and a naturalized American. Fannin is a former CIA officer and also a dedicated idealist who’s convinced the Afghan cause is just. On the opposite side is Anatoly Klimenko, a KGB colonel who just happens to have a close tie to Fannin, the nature of which will come as a surprise to both, though perhaps less so to the alert reader. These are men of sterling character, unflinching courage, endless resourcefulness—and an unfortunate absence of warts. What Bearden’s story desperately needs is someone like a George Smiley, who can be fooled, even betrayed, and whose vulnerability will make a reader root for his survival and rejoice in his occasional triumphs. Still, a better-than-average debut thriller from a writer who, next time out, may be willing to swap some technological complexity for the human kind. (Author tour)
Pub Date: June 1, 1998
ISBN: 0-679-44791-1
Page Count: 336
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1998
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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