In a book written with humor and charm, family members show the best of themselves after the people on their wife and...

HELLO FROM THE GILLESPIES

McInerney (The House of Memories, 2014, etc.) serves up a satisfying family drama stemming from a fed-up woman finally coming clean in her traditional Christmas letter.

For more than 30 years, Angela Gillespie has been sending out an annual letter on Dec. 1, rife with platitudes about her family that hide a far more complicated picture. But after a particularly trying year, she sits at her computer and tells a different story. When her son, Ig, requires a trip to the emergency room—quite a journey from their home in Errigal, a remote sheep station in the Australian Outback—her husband, Nick, sees the draft on her computer and surprises her by pressing "send" so her missive won’t be late arriving in the inboxes of more than 100 readers. Though Angela was brutally honest in the letter—chronicling her three daughters’ financial, career and relationship woes, her young son’s recent dismissal from boarding school and attachment to an imaginary friend, and her own fears of her husband’s infidelity and emotional distance, as well as his rash decision to make a clandestine deal with a mining company that could wreak havoc on the Outback—for the most part, the family handles the airing of their secrets to friends and family around the world reasonably well. It's Angela’s mention of her fantasies about having chosen a different husband, life and family that truly upsets them. When an accident shakes up their lives, the Gillespies are forced to take on new roles, and the novel gains momentum. McInerney writes with a deep respect for her characters, allowing each the opportunity to help reshape the narrative of next year’s inevitable Christmas letter.

In a book written with humor and charm, family members show the best of themselves after the people on their wife and mother’s mailing list saw them at their worst.

Pub Date: Nov. 4, 2014

ISBN: 978-0-451-46672-3

Page Count: 496

Publisher: New American Library

Review Posted Online: Oct. 7, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE GREAT ALONE

In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 31, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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