LOLA'S SECRET

If McInerney fans search hard enough, they’ll find a faint heartwarming message somewhere in the midst of this ho-hum plot.

Life can be both good and bad, and you’re guaranteed heaps of both in McInerney’s follow-up to The Alphabet Sisters (2004).

Just ask great-grandmother Lola, the crusty doyen of the Quinlan family. The octogenarian has encouraged the entire family to take separate vacations during the Christmas holiday while she stays at the family-owned Australian Valley View Motel and holds down the fort. Of course, her family believes that Lola’s just looking forward to some much-needed rest since the motel doesn’t have any bookings while they’re gone. But wily old Lola, who’s become somewhat of an expert using the Internet, has other plans. She’s actually booked free rooms for a handful of people who have some very messy personal problems. Not that Lola’s aware that these people have problems, and not that their problems are really very central to the overall plot, since each problem is resolved before any of the potential guests show up at the motel. So, if Lola doesn’t have to deal with all the guests and their problems—after they happily resolve their issues, they cancel their reservations—what does she have to worry about? For one, Lola’s son wants to sell the motel and pursue different interests, and that kind of throws Lola’s future into disarray. Plus, Lola’s 12-year-old great-granddaughter is acting like a brat because her father is dating again five years after the death of her mother, and Lola’s surviving adult granddaughters, Bett and Carrie, are also acting pretty bratty and arguing like, well, like sisters. Then there’s the pushy volunteer at the local charity store where Lola spends a great deal of her time. She insists that they decorate the display window for the annual Christmas competition using her design. Lola, of course, applies the wisdom of her advanced years to straightening out every situation, while briefly reconnecting to her past and resolving her own future.

If McInerney fans search hard enough, they’ll find a faint heartwarming message somewhere in the midst of this ho-hum plot.

Pub Date: Oct. 16, 2012

ISBN: 978-0-345-53403-3

Page Count: 352

Publisher: Ballantine

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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