Perhaps if there were more time between chapters, Child's series could recover the polish it deserves.
Jack Reacher lends a hand to an elderly couple under threat from loan sharks and winds up in the midst of an underworld war in the 24th entry in this series (Past Tense, 2018, etc.).
After Reacher saves an old man from a mugging, he finds out the man and his wife went into hock to get money for their daughter's lifesaving medical treatment. Meanwhile, in the unnamed city where the novel is set, the Albanian and Ukrainian crime bosses who have divvied up the territory are vying to see who can take over for good before the appointment of a new police commissioner. The sudden appearance of Reacher makes each suspect he's an agent for outside forces and accelerates the body count between them. That this is the best premise for a Reacher novel in some time, even if it's partly lifted from Akira Kurosawa's film Yojimbo, can't quite disguise that something has gone off in the series. Reacher's apologies to a suffering old couple that there's not much he can do isn't really what we want in a hero—especially one who has always taken such pleasure in pissing off bullies. Whenever the plot shifts to the machinations between the rival gangsters it bogs down in exposition. And while Reacher's ass-kickings have always been amusing, the series has never developed the dark ability to turn the violence into a deadpan sick joke. The carnage here should be funnier the more extreme it gets. It's not bad, but it's far from the tight, nifty execution that made the Reacher books so much fun to begin with.
Perhaps if there were more time between chapters, Child's series could recover the polish it deserves.Pub Date: Oct. 29, 2019
ISBN: 978-0-399-59354-3
Page Count: 368
Publisher: Delacorte
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
There’s nothing romantic about Joe’s preoccupation with Beck, but Kepnes puts the reader so deep into his head that...
An impending sense of dread hangs over Kepnes’ cleverly claustrophobic debut, in which love takes on a whole new meaning.
Told from the perspective of Joe Goldberg, a seemingly normal Manhattan bookstore employee, the narrative is structured like a long monologue to the titular “you”: a young woman, Guinevere Beck, who becomes the object of Joe’s obsessive affection. They meet casually enough at the bookstore, and since she’s an aspiring writer just starting an MFA program, they bond over literature. Seems innocuous enough, even sweet, until we learn just how far Joe will go to make Beck—her preferred name—his own. Kepnes makes keen use of modern technology to chronicle Joe and Beck’s “courtship”: He not only stalks her on Twitter, but hacks into her email account and, after casually lifting her cellphone, monitors her text messages. In Joe’s mind, he’s keeping Beck safe from what he perceives as dangers in her life, particularly the clingy, wealthy Peach Salinger (yes, a relative of that Salinger); Beck’s hard-partying ex, Benji; and her therapist, the smooth-talking Dr. Nicky. When Joe and Beck finally, inevitably get together, it only serves to ratchet up Joe’s predatory, possessive instincts. Every text is analyzed as if it were the German Enigma Code, and every email is parsed and mined for secret meaning. There’s little doubt that the relationship is doomed, but Kepnes keeps the reader guessing on just how everything will implode.
There’s nothing romantic about Joe’s preoccupation with Beck, but Kepnes puts the reader so deep into his head that delusions approach reality.Pub Date: Sept. 30, 2014
ISBN: 9781476785592
Page Count: 416
Publisher: Emily Bestler/Atria
Review Posted Online: Aug. 13, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK TO SCREEN
BOOK TO SCREEN
A page-turner that doesn’t quite stick the landing.
A fresh start for a doctor and her family becomes a living nightmare in Kubica’s (When the Lights Go Out, 2018, etc.) new psychological thriller.
Human ecology professor Will Foust and his wife, Sadie, a doctor, have two boys, 14-year-old Otto and 7-year-old Tate. On the outside, they look like the perfect family. After Will’s sister, Alice, dies from an apparent suicide, Sadie hopes that she and Will can provide stability for Alice’s 16-year-old daughter, Imogen. They’ve also decided to leave Chicago and move into Alice’s home on a small island off the coast of Maine, which Will has inherited. Unfortunately, Sadie, who used to practice emergency medicine, finds no satisfaction in her work at a local clinic; Otto is starting to show signs of the problems Sadie hoped he’d left behind; and though she understands that Imogen is devastated in the wake of her mother’s death, the girl is behaving in a downright alarming way, including gleefully showing Sadie a picture she took of her mother as she hung from the attic rafters. Sadie also thinks Will might be cheating on her. Again. The family tension stretches to a breaking point when a neighbor woman (whom Sadie thinks Will has been cozying up to) is stabbed to death. It’s not long before Sadie finds herself at the center of a murder investigation. Kubica ably molds Sadie into a (very) complicated woman with simmering secrets; as usual, she is a master of atmospherics who can turn almost any location into a swirling cesspool of creepy possibility. However, in a story told from multiple perspectives—first person and otherwise—a few are less compelling than others, such as that of over-the-top Camille, who claims to be having an affair with Will. And while Kubica sprinkles in a few clues about the big twist, she still asks readers to suspend disbelief to the breaking point.
A page-turner that doesn’t quite stick the landing.Pub Date: Feb. 18, 2020
ISBN: 978-0-7783-6911-0
Page Count: 384
Publisher: Park Row Books
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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