A warm, funny, and deeply perceptive reflection on identity, family, and resilience.
In this combination of memoir and self-help guide, Fort-Marshall reflects on love, persistence, and staying true to oneself.
The author grew up in her grandmother’s home on Jackson Avenue in San Jose, California; it was a relatively small physical universe, but one that fueled an imagination “not bound to geography, gender, or the restrictive realm of ‘impossibility.’” In Fort-Marshall’s engrossing depictions of the home, which welcomed her various aunts and up to 11 children at different times, she was exposed to adults so effusive in the ways they talked about humor, food, and heartbreak that the author had little interest in children her own age. Left in her grandmother’s care after her mother’s divorce and flight from an abusive relationship, Fort-Marshall describes a life of contradictions in which she learned to hold space for “both incense and gospel.” Later essays move through her unraveling marriage, a return to dating, motherhood, work, and her bout with breast cancer. Each new chapter, introduced by a meal and list of songs she would pair with the writing, thrums with sharply observed humor and acute self-awareness as the author begins with one memory before taking readers somewhere unexpected. Job losses, births, trips to Ghana, and dates-gone-wrong mesh together, supporting her tightly constructed reflections and self-help advice about recognizing when one is “mistaking adaptability for authenticity.” This loose, freewheeling structure is one of the work’s greatest strengths. Fort-Marshall condenses entire years into a few simple observations before lingering on a single image with striking clarity. She imbues nearly every sentence with something memorable, whether she’s succinctly capturing motherhood (which she says “has never been only [about] love. It’s also [about] fear”) or describing the haunting experience of fearing how the world would react to her beautiful Black son when he held a replica rifle as part of a color guard. Readers willing to surrender themselves to her essays’ unusual rhythms will be rewarded by their efficiency and power. Fort-Marshall’s own description of the book feels exactly right: “It’s not even a memoir. It’s a friend. It’s a late-night conversation.”
A warm, funny, and deeply perceptive reflection on identity, family, and resilience.Pub Date: today
ISBN: 9798900260075
Page Count: 168
Publisher: Amplify Publishing
Review Posted Online: May 19, 2026
Kirkus Reviews Issue: July 15, 2026
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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