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The Doctor's Wife

A novel that vividly brings history to life, but its heroine’s development feels incomplete.

McIlvain’s (Stein House, 2013, etc.) immersive historical prequel portrays the birth of a Texas town through the eyes of a young immigrant.

Impulsive teacher Amelia Anton accompanies a wealthy family on a one-way voyage from Germany to Texas in the fall of 1845. Soon abandoned in a Galveston hotel, she works as a chambermaid until the ship’s doctor, Joseph Stein, returns to ask her to marry him. Although they’re barely acquainted, she agrees, mostly to escape the misery of “emptying chamber pots every day.” When she and Joseph arrive in Indian Point, Texas, they find boatloads of German immigrants who were swindled into buying American land “living in tents and…dying from disease and exposure.” Joseph, a dedicated doctor, and Amelia, a devoted English teacher, soon earn the burgeoning community’s approval, but as a couple, Amelia thinks, they “go about our parallel lives, wearing our pleasant, false faces.” As her husband tends the sick, builds a pier, and opens a store to serve locals and soldiers fighting the Mexican-American War, Amelia does her best to be a good wife, despite her constant disappointment in her childless marriage: “The store is like my child, I constantly think of how I can make it grow and be healthy.” McIlvain has a historian’s eye for detail, a good ear for dialogue, and a fascination with the political machinations that affect the tiny town’s growth, including unflinching engagement with the inhuman institution of slavery. Unfortunately, the passionless marriage at the book’s core, as well as weak character development, creates a sense of stasis. When Amelia meets a charming stranger in New Orleans who offers her “a chance to be a real woman,” the novel perks up. But the scenes in Indian Point tend to read like museum pieces—interesting but devoid of emotional investment. McIlvain’s novel ends as it begins, with a ship’s arrival, but it could have used another chapter to bring closure to Amelia’s experiences and to hint at her uncertain future.

A novel that vividly brings history to life, but its heroine’s development feels incomplete. 

Pub Date: May 31, 2016

ISBN: 978-1-63363-169-4

Page Count: 376

Publisher: White Bird Publishing

Review Posted Online: Sept. 15, 2016

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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