By turns magical, harshly realistic, poetic, aggravating, and enthralling.
Centered around an actual Memorial Day flood in 2015, Dinan’s first novel takes a mildly numinous, not so mildly pre-apocalyptic approach in following the lives of a young Texas Hill Country teenager and her loved ones as they fight to find each other, or at least survive, in their suddenly devastated landscape.
Supersensitive Boyd, 18, has an unusual, not necessarily welcome, ability: Like a dowser, she can sense others’ pain. Home-schooled, she lives with her mother, Lucy Maud, who has divorced but not stopped loving her father, Kevin, a classics professor now living in Austin and in love with one of his grad students. Boyd’s dearest friend and sort of lover is Isaac, a pre-med student at the University of Texas. Isaac and Boyd plan to spend the summer panning for gold in Boyd’s backyard and figuring out where their relationship is going given that introverted Boyd wants to stay in their safe, isolated rural world while down-to-earth Isaac yearns to leave and lead a more conventional, materialistic life. But when the rains pour down, ending a long drought, on the same weekend that Boyd’s maternal grandfather is getting married with her father as best man, Boyd and Isaac each end up alone. Isaac finds himself stranded high in a pecan tree with an array of usually wild animals while a river surges below. Sensing that he's in danger, Boyd goes searching for him. Along the way she meets a number of otherworldly characters caught in a quirk of time caused by the weather. (Think Dorothy in a nightmarish Oz, especially when a scarecrow comes to life.) Meanwhile, as Lucy Maud and Kevin set out together to look for their daughter, they struggle individually with their complex, unresolved relationship. If the storm is an omen of the climate risk the world currently faces, the dead cellphones beleaguering the characters represent communication breakdown on a deeper scale. Dinan breaks up the narrative with short, educational, sometimes didactic sections that illuminate the title by defining flash floods, bemoaning climate change, and explaining gold mining, among other topics.
By turns magical, harshly realistic, poetic, aggravating, and enthralling.Pub Date: May 19, 2020
ISBN: 978-1-63557-443-2
Page Count: 336
Publisher: Bloomsbury
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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