An impressive debut by a storyteller with bountiful insight and assurance.
Though the Civil War is over when this novel opens, the threat of violence and the persistence of bigotry still loom over a Georgia town.
Somewhere between the Confederacy’s surrender at Appomattox and the beginning of Reconstruction, George Walker and his wife, Isabelle, live alone and emotionally estranged from each other on their family homestead just outside the village of Old Ox. They are mired in grief over the presumed death of their only son, Caleb, a missing Confederate soldier. At this low point in the Walkers’ lives, Prentiss and Landry, Black brothers freed from slavery, wander onto the couple’s barren land seeking little more than temporary shelter on their northbound trek in search of their mother, who was sold away from them in childhood. George reaches out to the two Black men for help in restoring his farmland with a peanut crop. In return, he offers to pay them whatever he can to help subsidize their journey. Warily, the brothers agree to George’s request, and eventually the three of them succeed in coaxing plants from the reluctant ground. Then one windy morning, Caleb returns home bearing an ugly facial scar and stories of his incarceration in a Union prison camp. What he doesn’t tell them is that he was beaten with a rifle butt by his captors because he’d deserted his own side and in the process, also deserted his wealthy boyhood friend and secret lover August Webler, now also a war veteran returned to Old Ox and soon to wed a local girl by a prearranged agreement. Despite his fury over Caleb’s betrayal and his impending marriage, August rekindles their romance, which sets off a series of tragic events involving murder, injustice, and, eventually, wholesale destruction. Throughout the tumult, all three members of the Walker family discover reserves of unexpected courage and resolve—and one can’t help believing that if most of the other characters carried within them the empathy and grace displayed by the author of this compelling postbellum saga, most of the awful things that happen to them and their immediate surroundings would have been avoided.
An impressive debut by a storyteller with bountiful insight and assurance.Pub Date: June 15, 2021
ISBN: 978-0-316-46127-6
Page Count: 368
Publisher: Little, Brown
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
SEEN & HEARD
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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