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BONE TO THE BONE

Shaham, winner of last year's National Jewish Book Award for The Rosendorf Quartet, organizes this ambitious new novel around the figure of a Marxist revolutionary suddenly struggling in his old age to come to terms with his part in the upheavals he has survived. Avigdor Berkov begins clearly enough with the facts of his life. He was born in Czarist Russia, left it for Palestine in the heady 1920's to work in the Labor Brigade, fathered a son on his girlfriend, but returned to Soviet Russia when his leftist positions led to his expulsion from the Brigade. Back in his homeland, he had time to settle down with a wife, Nina, and a daughter, Olga, before Stalin's infernal machine captured him and abandoned him to interrogation, torture, and a long prison term. Now, in 1970, his trip to Olga in Tel Aviv—where he'll see Vera and her son as well—forces him to reconstruct himself, and his justification for choosing political causes over family, friends, and lovers, through a shattered mosaic of memories. As in The Rosendorf Quartet, a series of narratives (here, four notebooks Berkov keeps on his arrival in Israel) dramatize increasingly powerful episodes in the principals' lives without, finally, giving the labyrinth a center. Berkov recalls his hopeful friendship with Crimean utopian Mendel Elkind, his casual betrayal of a harmless Israeli intellectual, his suspicions of the Polish editor whose desire for Nina led him to produce a forged death certificate for Berkov—all the time trying to explain himself in the present to an avid student of the Labor Brigade's infighting, a documentary filmmaker, his dismissive son-in-law, and his companions in the nursing home where he ends up. Despite Shaham's resolute understatement (``It is melodrama which I want to avoid above all,'' Berkov says early on): a memorable portrait of a survivor of himself, a man whose own actions, and whose continuing detachment from them, have branded him as indelibly as the Holocaust scarred its survivors.

Pub Date: Oct. 15, 1993

ISBN: 0-8021-1001-0

Page Count: 352

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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