One of Delbanco’s most attractive and accessible books.
Delbanco’s elegiac and elegant 13th novel (Old Scores, 1997) gathers the voices of a family of German emigrant Jews to describe their “escapes” (to London, then America) from Hitler’s persecution, and their mourning for the high culture betrayed and destroyed by the Nazi regime.
The family’s stories are framed by scenes set in 1996, during primary narrator (Americanized) Benjamin’s return, in middle age, to England for a visit with his dapper Uncle Gustave, an art dealer and enthusiast sustained on into old age by his love of beautiful things (years earlier, describing a purchase, Gustave had observed that “In a world . . . so full of willed barbarity, it is important that a picture with a shepherd be acquired and a claim be lodged for lastingness”). Other voices, speaking during the years 1944–64, include those of the young Benjamin and his older brother Jacob, growing up during the Blitz and amid muttered references to “Schicklgruber . . . the devil incarnate.” Delbanco creates telling indirect characterizations of their father Karl, a would-be artist who settled for becoming the dutiful son (unlike his brother Gustave) and went into business, eventually prospering (as owner of a “bristle factory”); and their neurasthenic mother Julia, embittered by the loss of the scholarly career she had sought in Germany, and by the (gratuitous and utterly false) suspicion that her husband is anything but a model of fidelity and decency. The best character here, however, is haughty “Granny” Elsa, kept alive by the wisdom of her beloved Boethius’s Consolations [sic] of Philosophy and memories of her late husband, taken by cancer before the Nazis could take him. These portraits and reminiscences are episodic, and to some degree static, but What Remains is often very moving, especially for its precise discriminations between going beyond what was lost and embracing “what remains” (in a resonant phrase ingeniously adapted from Ezra Pound).
One of Delbanco’s most attractive and accessible books.Pub Date: Nov. 22, 2000
ISBN: 0-446-52416-6
Page Count: 192
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2000
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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