Steeped in Filipino history and culture, Joaquin's work is a welcome discovery.
A collection of short stories and a play by Joaquin (1917-2004), one of the Philippines’ leading writers in English, who finds passion and melodrama in the nation’s colonial and Catholic history.
The first story, “Three Generations,” tells of a young man who defies his father first by choosing the priesthood over a law career and then by reuniting his pining grandfather with a young woman. It hints at the “tropical gothic” of the title but is more conventional than most of the collection. Ghosts, saints, and visions are common as Joaquin (Gotita de Dragon and Other Stories, 2014, etc.) moves among folklore, legend, and even some sci-fi. In “Cándido’s Apocalypse,” a teenage boy alienated from his family and life in general begins to see people without clothing and then without flesh. In an entertaining quasi-mystery that begins with a crucial toothbrush (“The Order of Melkizedek”), siblings’ efforts to rescue their sister from a cult center on a Rasputin-like figure who reappears over many centuries. In “The Summer Solstice,” a religious festival’s wild dancing turns one woman into a sort of a pagan queen in her husband’s bemused eyes. One of the two navels may not exist in the tortuous, episodic title story as it shifts between Hong Kong and Manila and touches on exile, failed revolution, WWII, and Filipinos’ uncommon musical gifts. The play that closes the collection (“A Portrait of the Artist as Filipino”) shows two spinster sisters trying to hold on to a once-vibrant and grand old house. Their survival may depend on selling their father’s final work of art, a painting of Aeneas carrying his father, Anchises, from the ruins of Troy. The drama is rich in themes but rather dreary and heavy-handed.
Steeped in Filipino history and culture, Joaquin's work is a welcome discovery.Pub Date: April 18, 2017
ISBN: 978-0-14-313071-0
Page Count: 480
Publisher: Penguin
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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