Haunting and superbly crafted, this is a magical book from a writer of immense talent and intelligence.

HERE COMES THE SUN

The lives of three generations of women in Jamaica intersect as they try to build better lives.

Margot, a 30-year-old desk clerk at a hotel in Jamaica, has fallen into a side business of sex with the white men who visit the island looking for poor women to exploit. This, of course, is not the life Margot wants. She only does it to support her younger sister, Thandi, a 15-year-old schoolgirl who's destined to be successful and “make everything better” for the family. Thandi, however, is more interested in being thought beautiful and the type of success that goes along with that, spending her extra money on skin-lightening creams to turn her dark skin whiter. Thandi's and Margot’s tales intertwine with the story of their abusive mother, Delores, and the rest of their poverty-stricken community, set against the backdrop of wealthy white tourists. Margot finds a temporary refuge from the constant barrage of work and men in her romantic relationship with a local woman named Verdene, but she can't escape the fear of violence that same-sex couples in their society face. And, as past secrets come to a head, the poor black and wealthy white worlds of Jamaica collide. This debut novel from Dennis-Benn is an astute social commentary on the intricacies of race, gender, wealth inequality, colorism, and tourism. But these themes rise organically from the narrative rather than overwhelming it. Here are visceral, profound writing and invigorating characters. Here, too, is the deep and specific sensation of experience. Consider teenage Thandi’s first awareness of being watched by the boy she likes: “a pulse stirs between her legs and she hurries down the path, holding it in like pee."

Haunting and superbly crafted, this is a magical book from a writer of immense talent and intelligence.

Pub Date: July 19, 2016

ISBN: 978-1-63149-176-4

Page Count: 336

Publisher: Liveright/Norton

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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