Dennis-Benn has written a profound book about sexuality, gender, race, and immigration that speaks to the contemporary...

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PATSY

A woman comes to terms with how her immigration to America affects her family back home in Jamaica—and herself.

For the follow-up to her highly acclaimed debut novel, Here Comes the Sun (2016), Dennis-Benn returns briefly to Jamaica before shifting her locale to Brooklyn. It’s 1998, and single mother Patsy isn't able to get a tourist visa at the American Embassy in Kingston until she agrees to leave Trudy-Ann, her 5-year-old daughter, behind. Patsy’s American dreams are not just about a better financial future for Tru; she has long hoped to reunite with the love of her life, her childhood girlfriend, Cicely, now living in Brooklyn. But her dreams are stymied by the difficult reality of finding work in New York—despite Patsy’s best efforts, the only employment she can find is as a bathroom attendant, cleaning toilets—and by Cicely’s marriage to an abusive, overbearing man. Cicely, now a woman “smelling of expensive flowers and looking resplendent in a long purple peacoat cinched at the waist with a belt, a colorful silk scarf wrapped around her neck, still holding on to her Chanel handbag,” would rather stay with her husband than lose the lifestyle his wealth provides her. Tru, meanwhile, is sent to live with the father she doesn’t know. Alternating between Patsy's and Tru's stories, Dennis-Benn allows each character’s experience an equal depth and presence in the book. Slowly Patsy comes into her own, finding work as a nanny, but as Tru comes of age back in Jamaica missing her mother, Patsy, looking after another woman’s child, is haunted by the absence of her own daughter and the choices she must continue to make to survive in America, alone. Although she's lovingly drawn by Dennis-Benn, Patsy has done the single most-damning thing a mother can do in our society: She has abandoned her child. It's a marker of Dennis-Benn’s masterful prowess at characterization and her elegant, nuanced writing that the people here—even when they're flawed or unlikable—inspire sympathy and respect.

Dennis-Benn has written a profound book about sexuality, gender, race, and immigration that speaks to the contemporary moment through the figure of a woman alive with passion and regret.

Pub Date: June 4, 2019

ISBN: 978-1-63149-563-2

Page Count: 432

Publisher: Liveright/Norton

Review Posted Online: March 17, 2019

Kirkus Reviews Issue: April 1, 2019

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An exuberant comic opera set to the music of life.

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DEACON KING KONG

The versatile and accomplished McBride (Five Carat Soul, 2017, etc.) returns with a dark urban farce crowded with misjudged signals, crippling sorrows, and unexpected epiphanies.

It's September 1969, just after Apollo 11 and Woodstock. In a season of such events, it’s just as improbable that in front of 16 witnesses occupying the crowded plaza of a Brooklyn housing project one afternoon, a hobbling, dyspeptic, and boozy old church deacon named Cuffy Jasper "Sportcoat" Lambkin should pull out a .45-caliber Luger pistol and shoot off an ear belonging to the neighborhood’s most dangerous drug dealer. The 19-year-old victim’s name is Deems Clemens, and Sportcoat had coached him to be “the best baseball player the projects had ever seen” before he became “a poison-selling murderous meathead.” Everybody in the project presumes that Sportcoat is now destined to violently join his late wife, Hettie, in the great beyond. But all kinds of seemingly disconnected people keep getting in destiny's way, whether it’s Sportcoat’s friend Pork Sausage or Potts, a world-weary but scrupulous white policeman who’s hoping to find Sportcoat fast enough to protect him from not only Deems’ vengeance, but the malevolent designs of neighborhood kingpin Butch Moon. All their destines are somehow intertwined with those of Thomas “The Elephant” Elefante, a powerful but lonely Mafia don who’s got one eye trained on the chaos set off by the shooting and another on a mysterious quest set in motion by a stranger from his crime-boss father’s past. There are also an assortment of salsa musicians, a gentle Nation of Islam convert named Soup, and even a tribe of voracious red ants that somehow immigrated to the neighborhood from Colombia and hung around for generations, all of which seems like too much stuff for any one book to handle. But as he's already shown in The Good Lord Bird (2013), McBride has a flair for fashioning comedy whose buoyant outrageousness barely conceals both a steely command of big and small narrative elements and a river-deep supply of humane intelligence.

An exuberant comic opera set to the music of life.

Pub Date: March 3, 2020

ISBN: 978-0-7352-1672-3

Page Count: 384

Publisher: Riverhead

Review Posted Online: Dec. 9, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her...

BEFORE WE WERE YOURS

Avery Stafford, a lawyer, descendant of two prominent Southern families and daughter of a distinguished senator, discovers a family secret that alters her perspective on heritage.

Wingate (Sisters, 2016, etc.) shifts the story in her latest novel between present and past as Avery uncovers evidence that her Grandma Judy was a victim of the Tennessee Children’s Home Society and is related to a woman Avery and her father meet when he visits a nursing home. Although Avery is living at home to help her parents through her father’s cancer treatment, she is also being groomed for her own political career. Readers learn that investigating her family’s past is not part of Avery's scripted existence, but Wingate's attempts to make her seem torn about this are never fully developed, and descriptions of her chemistry with a man she meets as she's searching are also unconvincing. Sections describing the real-life orphanage director Georgia Tann, who stole poor children, mistreated them, and placed them for adoption with wealthy clients—including Joan Crawford and June Allyson—are more vivid, as are passages about Grandma Judy and her siblings. Wingate’s fans and readers who enjoy family dramas will find enough to entertain them, and book clubs may enjoy dissecting the relationship and historical issues in the book.

Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her fictional characters' lives.

Pub Date: June 6, 2017

ISBN: 978-0-425-28468-1

Page Count: 352

Publisher: Ballantine

Review Posted Online: March 21, 2017

Kirkus Reviews Issue: April 1, 2017

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