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MOON GODDESS

A story that offers an immersive, complicated international experience, although it does so in an unhurried way.

Debut author Patel presents a novel about an Indian woman’s international search for answers.

The story begins in July 2008 in Karjat, India. Tara Amin’s mother has recently died “in the pale blue shadow of the lunar eclipse” there, and, even though Tara has recently been living in New York City, she was still very close to her mother emotionally. Tara has a host of fond memories about her as well as about another deceased family member, her great-aunt Mayyaji. The former was simply “practical,” while the latter “possessed…cosmic power” and could heal with her touch. There are many formalities that Tara needs to attend to in Karjat in the wake of her parent’s death, and she also spends a lot of time reflecting on the past and, specifically, her relationship with her mother and Mayyaji. A large section of the novel is devoted to Tara’s 1980s diaries, which reflect on how Mayyaji made her understand “the true magic that life is.” She also has a feeling that her mother’s spirit is trying to communicate with her. Of course, there’s also plenty waiting for Tara when she gets back to New York, where she runs an art gallery called Moon Goddess with her dear friend May. Tara’s boyfriend, Mike, is an English professor whose “life outside his work certainly lacked imagination.” After their relationship dissolves, Tara strikes up a new one with a Lebanese-American photographer named Rachid, who follows no religion and instead “worship[s] the elements.” He takes Tara back to Lebanon with him, where he takes photographs and attempts to unravel mysteries from his own family’s past. In this way, readers travel to disparate countries and encounter a host of characters, some more distinct than others. Questions abound in the narrative: will Mike ever get over his breakup with Tara? Will Moon Goddess survive the 2008 recession? Why is Rachid’s mother so eager to befriend Tara? Why is Tara’s mother’s spirit trying to contact her? However, the book shines brightest in the details of its many settings. From Achrafiye (a district in Beirut) to Zeding (in Tibet), there are descriptions of landscapes, such as the “luminous blue water” of Yamdroktso Lake; of foodstuffs, such as the “bittersweet coffee” of Lebanon; and of many other items. Readers are told about New York City’s Chelsea neighborhood, which was once host to longshoremen “embroiled in corruption,” as well as the story of the seemingly anachronistic housing of Grove Court in Greenwich Village. Such intriguing explanations add to the novel’s high page count of more than 600 pages, but it’s also lengthened by frequently unnecessary dialogue and exposition that may test readers’ patience—as when multiple characters talk about opening bottles of wine before doing so or when readers are told, instead of shown, that “Tara was impatient for answers.” Overall, though, the story explores engaging destinations, even if getting to them can be a cumbersome process.

A story that offers an immersive, complicated international experience, although it does so in an unhurried way.

Pub Date: July 27, 2017

ISBN: 978-1-5446-8419-2

Page Count: 538

Publisher: Loose Moose Publishing

Review Posted Online: Jan. 8, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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