by N.M. Kelby ‧ RELEASE DATE: Jan. 17, 2006
Deep-fried strangeness.
Here’s the wacky, tacky premise: A Jesus-impersonating serial killer rampages through Florida strip clubs and gator swamps.
Kelby, who previously wrote sober novels revolving around World War II (Theater of the Stars, 2003, etc.), delivers black humor that sizzles. A cartoon Crime and Punishment in “Margaritaville,” the book stars a sandal-shod, sheet-clad drifter calling himself “Jesus” who loses the American Dream in a poker game with Leon, a used-car dealer. The Dream, all gleaming chrome and glossy leatherette, is the world’s most magnificent trailer, and its new owner, while festooning Christmas lights in its lush interior, catches fire as the big rig explodes. Or so the citizenry of Whale Harbor, one truly funky tourist trap, believes. Actually Leon has slunk out and disappeared. Burned but not cooked, he crawls to a hospital. There, convalescing, he’s attacked by killer bees who buzz in through a window. His mind full of morphine, he hallucinates. The staff, overhearing his weird dreams and marveling at the hive that soon bedecks his bandaged head, dubs Leon “Bee-Jesus,” and a desperate crowd lines up, expecting miracles. All the while, the first “Jesus” is on the lam and planning his 13th homicide. He’s really Ricardo Gomez, a deranged Polish/Cuban former M.D. who sees murder as an act of mercy. Anyone he feels deserving either of blessing or of curse earns from him one savage ticket to the hereafter, in the form of poison or long knives. Along with “Jesus” and “Bee-Jesus,” there are terrific mock-archetypal characters: the Legendary Bluesman, the Titty Bar Madonna, the Buff-But-Tender sheriff. And there’s enough mad plot to hook most anyone.
Deep-fried strangeness.Pub Date: Jan. 17, 2006
ISBN: 0-307-33677-8
Page Count: 320
Publisher: Shaye Areheart/Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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