Kelby’s prose fits her subject, lusciously rich as the truffles and foie gras that dominate Escoffier’s recipes, but sensory...
From Kelby (Murder at the Bad Girl’s Bar and Grill, 2008, etc.), a fictional biography of the pioneering French chef Auguste Escoffier full of luscious details about his methods, both of cooking and seduction.
In the mid-1930s, after 30 years of separation, the aged and ailing Escoffier has returned to his wife Delphine, a poet. Sixty years ago he wooed her through his cooking—the sensuality of his food-centered seductions beats even the famous scene from Tom Jones—and their early marriage was joyful. But when he moved to London as chef at the Savoy, she refused to uproot the family to follow him. Lonely, he rekindled his earlier friendship with Sarah Bernhardt and also dallied with the English chef and hotelier Rosa Lewis. But his alter ego Mr. Boots courted Delphine from afar, sending her delicacies like figs. Eventually he realized that his heart truly lay with Delphine. By then their youngest son had died as a World War I soldier, a grief heightened by the fact that Escoffier had cooked a meal for Kaiser Wilhelm months before war was declared. Now Escoffier begins a memoir that captures the true stories behind his recipes and is full of sex and early-20th-century celebrity sightings. Her own health failing, Delphine hires a young woman named Sabine to cook for the extended family that gathers at their Monte Carlo home. Delphine, a local girl, has no idea how to prepare Escoffier’s sophisticated fare, but not coincidentally, she’s a dead ringer for the young Sarah Bernhardt. Both Delphine and Escoffier give Sabine lessons, and her evolution as a cook and as a woman offset the story of the ailing Escoffiers. Delphine desperately wants Escoffier to create a dish in her name as he has for his other famous patrons, but he resists. The complexity of their relationship almost defies even his ability to combine ingredients.
Kelby’s prose fits her subject, lusciously rich as the truffles and foie gras that dominate Escoffier’s recipes, but sensory overload eventually sets in.Pub Date: Nov. 1, 2011
ISBN: 978-0-393-07999-9
Page Count: 352
Publisher: Norton
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Oct. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
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