A love story that remains gripping until the very last page.

THE AMULET

A trader takes his young bride into the perilous Canadian wilderness in this historical romance.

It is the summer of 1884 in the District of Saskatchewan in the Northwest Territories of Canada. Ian McNab, a trader and “granite-jawed” Scot, has taken a wife, to the surprise of all who know him. The beautiful Catherine looks about half McNab’s age and has the power to beguile every man who sets eyes on her. A born loner, McNab requested Catherine’s hand in marriage during their first encounter when visiting his father in southern Ontario. Now he finds himself returning with her to his trading post at the remote Pounding Lake, where he knows she will be utterly out of place. Before even arriving, their relationship is fraught—McNab is rough and impatient with her during lovemaking and considers her an “utter disappointment in bed.” And Pounding Lake is a troubled community surrounded by Native American reserves. Relations with the local Cree are becoming increasingly volatile. The strains are compounded when an already bitter winter worsens. Meanwhile, Catherine is introduced to the dashing Jay Clear Sky, a Cree interpreter who, fearing for her safety, gives her a protection amulet. The first draft of this tale was written by Sluman (Poundmaker, 1967, etc.). It was then rescued from obscurity by her daughter, debut author Somers, who “could not resist the urge to tweak” the story a number of years after her mother’s death. Closely based on the Northwest Uprising of 1885, this book, although a work of fiction, has a strong historical foundation. The engrossing narrative has everything required for a successful historical romance: a strong-willed heroine, a mysterious and forbidden love interest, and a viper’s nest of villains who eye Catherine lasciviously. The tension rises incrementally as the tale progresses, making for a true page-turner. But despite the growing sense of unease, there is also a fastidious attention to detail regarding the beauty of the Canadian wilderness: “She could see the water leaping and flashing, blue-green under the bright sunlight, free at last of the ice and debris that had choked it during the spring runoff.” Some readers may find the developing romance cloying, if unpredictable, but fans of Diana Gabaldon’s Outlander series will discover a comparable treat here.

A love story that remains gripping until the very last page.

Pub Date: Oct. 1, 2019

ISBN: 978-1-5255-0480-8

Page Count: 253

Publisher: FriesenPress

Review Posted Online: May 2, 2019

Kirkus Reviews Issue: June 15, 2019

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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