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A TALE OF TWO OMARS

A MEMOIR OF FAMILY, REVOLUTION, AND COMING OUT DURING THE ARAB SPRING

An inspirational chronicle of courageous LGBTQ+ advocacy in the face of official repression.

The grandson of iconic Egyptian actor Omar Sharif shares his coming-of-age as a gay man.

In this moving memoir, Sharif Jr., a Canadian actor and model, begins with the controversial coming-out letter he submitted to the Advocate in 2012, in which he expressed distress at being gay amid the political and social upheaval across Egypt. The essay became a viral sensation and further spurred the author’s work for “the movement for LGBTQ equality in the United States and across the globe.” His parents—Jewish Canadian mother and Arab father—divorced when he was a child, and he vividly depicts a youth traveling between Montreal and Egypt, interspersed with fond memories of later years spent with his famous grandfather, who accepted his grandson’s lifestyle unconditionally. When Sharif Sr.’s health began to decline due to Alzheimer’s, the author was there to support him, defend his reputation in the press, and care for him until his death in 2015. He chronicles years of painful bullying throughout school, leavened only by the spark of early attractions to men—even while some of those encounters ended darkly and involved sexual abuse. The memoir captivates with sharp cultural criticisms of the prejudices embedded in the Egyptian political landscape, which keeps gay citizens in a constant state of fear for their personal safety. Sharif laments that “too many are staying quiet as the whole of Egyptian society moves toward this monolithic entity I barely recognize.” He writes of making good use of his celebrity to advocate for human rights across oppressed communities, particularly those in Egypt “without a voice, without a face, and without an outlet.” The writing is direct, exquisitely personal, and most striking when the author addresses the intense internalized conflict between wanting to return to his homeland and the reality that exile is the only way to survive the repressive, anti-gay “new Egyptian paradigm.”

An inspirational chronicle of courageous LGBTQ+ advocacy in the face of official repression.

Pub Date: Oct. 5, 2021

ISBN: 978-1-64009-498-7

Page Count: 224

Publisher: Counterpoint

Review Posted Online: Aug. 25, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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MELANIA

A slick, vacuous glimpse into the former first lady’s White House years.

A carefully curated personal portrait.

First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.

A slick, vacuous glimpse into the former first lady’s White House years.

Pub Date: Oct. 8, 2024

ISBN: 9781510782693

Page Count: 256

Publisher: Skyhorse Publishing

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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