Finely textured character development almost compensates for a depressing tale.
A psychological novel explores two young men whose lives intersect in Los Angeles chaotically, emotionally, sexually, and violently.
In the book’s opening section, readers meet Clyde Koba, a second-generation Japanese-American and the narrator of the first part of this tale. It is 1973, and he is about to celebrate his 11th birthday. Before the night is over, his father comes home, abusively drunk as usual. Clyde tries to hide and winds up accidentally stepping on his beloved cat, breaking the feline’s back and killing him. Eventually, Clyde begins to display a violent streak, and his issues with sexual identity grow more overt. He becomes obsessed with Marilyn Monroe’s photographs and biography, convinced her spirit has been reincarnated in his body. Then the story takes on a third-person narrator and moves to another part of town, where 16-year-old Raphael Dweck has decided he is finished with his court-mandated psychotherapy. Three years ago, Raphael, a kleptomaniac, stole the silver breastplate of the Torah he had been studying for his bar mitzvah. Born in Israel, the Orthodox, observant Raphael immigrated to Los Angeles with his family eight years ago. But now his parents and rabbi decide the teen must find salvation by returning to Israel and living with a despised aunt. Ortega-Medina’s (Jerusalem Ablaze, 2017) graphic prose is vivid, especially when describing the Israeli desert: “The orb of the sun spits out swirls of colour as it dips westward, painting the purpling sky with reds and oranges, and splashing the edges of the crater with an ever-changing palette. Raphael…sketches furiously, trying to capture something of the devolving landscape as the colours intensify, and a warm wind kicks up from the desert floor.” The author’s deft construction of this complex plot reflects his experience in creating short stories. He concentrates first on Clyde, then on Raphael. Finally, the tale jumps ahead to 1982, several years after Raphael (now Ralph) returned to California. The two men’s paths become intertwined as they form a quirky, symbiotic relationship. Ralph, still searching for God, is the more manipulative of these two psychologically fragile, fully developed characters. Clyde, now cross-dressing as Monroe, is the more explosive and physically dangerous one. Ralph tells Clyde: “We’re all messed up, in one way or another. Every one of us. Damaged goods.” That could be this dark, disturbing novel’s subtitle.
Finely textured character development almost compensates for a depressing tale.Pub Date: June 21, 2019
ISBN: 978-1-999-5873-5-2
Page Count: 475
Publisher: Cloud Lodge Books
Review Posted Online: Feb. 25, 2019
Review Program: Kirkus Indie
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Despite a provocative and topical premise, and a strong opening, Picoult fails this time, her seventh, to rise above...
An uneven reworking of tabloid headlines: a young woman is charged with infanticide, and a hard-boiled attorney agrees to defend her. With one crucial distinction: the defendant is Amish.
In the Amish community of Paradise, Pennsylvania, 18-year-old Katie Fisher, unwed, is the chief suspect in the death by asphyxiation of a newborn found in the Fisher family’s barn. A medical exam reveals that Katie has just given birth, but she insists she has never been pregnant. Enter Ellie Hathaway, a 39-year-old (and single) Philadelphia defense attorney visiting her aunt Leda. Leda, also Amish, prevails upon an initially reluctant Ellie to defend Katie. Ellie moves in with the Fishers to prepare Katie’s defense, a device that allows Picoult (Keeping Faith, 1999, etc.) to juxtapose the devout Amish (or Plain Folk) and their spartan way of life with city-slicker Ellie. But as Ellie befriends Katie, unsettling inconsistencies in the latter’s story emerge. As in Rashomon, the truth proves elusive, shifting, and often unwelcome. Is Katie suffering from a genuine psychosis, repressing events too traumatic to remember? Or was she simply trying to conceal an affair and pregnancy she knew would have led to her being shunned by her own people? The drama echoes with conflicts in Ellie’s own life: her loudly ticking biological clock, the end of a tepid relationship with another attorney, and the resumption of a love affair with Coop, her college sweetheart-turned-psychologist (and eventual expert witness on Katie’s behalf). All, of course, will be tidily resolved by trial’s end.
Despite a provocative and topical premise, and a strong opening, Picoult fails this time, her seventh, to rise above paint-by-numbers formula. (Author tour)Pub Date: May 9, 2000
ISBN: 0-671-77612-6
Page Count: 416
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2000
Again, Englander demonstrates his skill at placing timeless concerns of Judaism in sharply modern circumstances. This one...
A lapsed Jew returns to the fold and becomes obsessed with redeeming a spiritual mistake made 20 years earlier.
When Larry's father dies, he must travel from Brooklyn to his sister Dina's house in Memphis, Tennessee, to sit shiva in the style of the Orthodox community from which he has vigorously removed himself. "The second day of shiva is even harder than the first....He lets himself be small-talked and well-wished, nodding politely....One after another, he receives the pathologically tone-deaf tales of everyone else's dead parents....Larry wants to say, in response, 'Thanks for sharing, and fuck your dead dad.' " As his sister and her rabbi clearly understand, there is no way, no how this guy will fulfill his duty as his father's only son to recite the mourner's kaddish daily for 11 months. But without it, his father will be "gathering wood for his own fire" in the World to Come. As a last resort, the rabbi explains that he can find a proxy to do it for him. So Larry does, hitting upon a website that provides just this service at Kaddish.com, "a JDate for the dead." Then, a week or two after the contract ends, Larry receives a note from Chemi, the yeshiva boy with whom he was matched. It includes a photo that somehow shakes loose in Larry all his grief for his father and himself. It leads him to change his life and his name; frankly, the person he becomes, whom we encounter two decades later, seems to have nothing in common with the original Larry. Incidents in his new life lead to his determination to find a way to atone for his long-ago shirking, no matter what it costs in the present. From the title and the tone in the "Larry" part of the book, Englander's (Dinner at the Center of the Earth, 2017, etc.) novel might seem to be a satire, but it ends up feeling more like a straightforward, almost simplistic parable designed to teach a spiritual lesson, one which takes very seriously Orthodox views of the soul and afterlife. On the other hand, it contains what is certainly one of the weirdest sex scenes ever found in a nice Jewish story.
Again, Englander demonstrates his skill at placing timeless concerns of Judaism in sharply modern circumstances. This one feels oddly preachy, though.Pub Date: March 27, 2019
ISBN: 978-1-5247-3275-2
Page Count: 224
Publisher: Knopf
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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