The authors find emotional gravity in a fathomable medical nightmare, turning their expertise into a clever debut novel.
Drs. Lippoff and Solar channel Michael Crichton with their debut medical thriller, a cautionary tale that spins a terrifying what-if scenario from the recent international concerns about the next supervirus.
What happens when pharmaceutical profits become more important than potential risk? Lippoff and Solar ask that question, envisioning the greatest health crisis since the Black Death. After being pushed out of his research position at a company called Novilis, Dr. Preston McBride heads back to hands-on work in a clinic, just as the flu vaccine he was hesitantly working on is being issued to the public. While Americans are heaving a sigh of relief that the dangerous Rohn Flu has been cured, a much-worse aftershock appears when all the dogs on Earth start dying. One by one, beloved pets, drug-sniffing canines and racing dogs all start dying in graphic, disturbing ways—bleeding from the inside-out as if they have Ebola. Preston puts the pieces together, quickly determining that the timing of the Rohn vaccine and the canine plague must be related, and races to find a cure before all of humanity disintegrates. While dog death may not seem like a harbinger of the apocalypse, the authors make the case that a disease that wipes out man’s best friend would devastate the human race in profound ways—from the rash of suicides caused by people losing their only companions to all-out riots spawned by waves of unending grief. Milking their terrifying concept, Lippoff and Solar make the horrifying genuine, most notably through a series of subplots and minichapters about the various impacts of the dog plague. The biggest misstep is that their novel runs close to 500 pages, and would have been greatly improved by a tighter pace. Potential tension is lost through a bit too much repetition as the plague worsens, but this thriller will still resonate for dog lovers and others.
The authors find emotional gravity in a fathomable medical nightmare, turning their expertise into a clever debut novel.Pub Date: May 29, 2011
ISBN: 978-0615384047
Page Count: 467
Publisher: Unconditional Loss
Review Posted Online: June 27, 2011
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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