Not a typical ghost story but a young woman learning about love, camaraderie, and self-identity —and possibly a spirit.
A college freshman’s job at the campus library comes with new eccentric friends, creepy strangers, and perhaps a ghost in this debut supernatural tale.
With her mom suddenly unemployed, University of Oklahoma student Sarah Felton offers to get a position to help out with expenses. She applies at the library, where the circulation supervisor, impressed by her impromptu interview, hires her. It’s a rough start; her introduction to patron Dr. Patty Nakamura, who suffers from obsessive-compulsive disorder, consists of the woman declaring Sarah’s Pakistani co-worker Lubna a terrorist. But soon Sarah forms friendships with Lubna and student security guard Stanley and something a little more than friendship outside the library with nerdy but winsome Adam. Stanley is particularly unusual, a Native American descendent of shamans who claims he can see auras and ghosts— and that spirits sometimes roam the library. That may include Bernie, a woman evidently taking up residence there. It seems she’s something other than human, floating around the stacks and invisible to everyone, or at least most people. Bernie finds a connection to Sarah and may become what Stanley would call a spirit guide. Unable to speak with words, Bernie tries to communicate with Sarah through feelings. She hopes to warn the freshman about a guy Bernie’s dubbed TC, for The Creep, with a penchant for tampering with elevators and a sinister plan in the works. The novel is a drama first, giving a wide berth to genre conventions. The author, for example, smartly keeps Bernie ambiguous; Sarah proposes that the woman could be an alien, while Bernie herself isn’t sure—there’s no inkling of any sort of past. Sarah, meanwhile, is wholly engaging simply as a 19-year-old student. She hasn’t quite recovered from her dad’s death from lymphoma and worries about her blossoming romance with Adam after witnessing roommate Jennifer’s failed relationship. Readers anticipating spookiness may be dispirited: Bernie’s unequivocally amiable, TC’s unnerving but not outright scary, and Sarah and pals discuss but never investigate spirits. Sarah’s open-mindedness and endless curiosity, however, make her a perfect guide for readers into a world beyond tangible perception—even if it’s largely speculative.
Not a typical ghost story but a young woman learning about love, camaraderie, and self-identity —and possibly a spirit.Pub Date: Nov. 14, 2015
ISBN: 978-0-9969514-0-1
Page Count: 248
Publisher: PWM Publishing
Review Posted Online: April 7, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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