Modern consumerism clashes with traditional Chinese culture, as observed by two cats in this small charmer.
Two cats in Beijing witness recent events—the SARS epidemic, rapid industrialization, the Olympic Games—from the comfort of their Hutong courtyard.
When Soyabean is still a kitten in the Xu household, he is adopted by Mr. and Mrs. A, waiguo Ren, or foreigners, who live in a large courtyard house in old Beijing. Soon after, Tofu arrives, a dustbin cat, rescued by the animal league and brought to the courtyard as company for Soyabean. The two cats have escaped a life of hardship in a country that regards pampered pets with suspicion, though with a rapidly growing middle class, that is beginning to change. Narrated in alternating chapters by Soyabean, a handsome, lazy ginger tom, and Tofu, a small dark cat who prefers the world from her perch in the courtyard’s pomegranate tree, the novel cat-walks between credibility and fantasy, just as these animal stories do. The cats understand human speech and other animals, and though their knowledge is limited, their intelligence isn’t; not unlike the way we view our pets anyway. Soyabean grows into a beautiful fat cat, so much so that he’s hired to star in a cat-food commercial. Soyabean’s already considerable ego (and girth) grows as he becomes a star for Maomi Deluxe. Tofu is suspicious, and rightly so; she overhears Xiao Xu confess that Maomi Deluxe is made from melamine, and cats are getting sick. One evening, Tofu is kidnapped by a band of rogues convinced cats are the cause of the SARS epidemic. She escapes the van and finds shelter with provincial laborers. Will Tofu find her way home? Will Soyabean be able to warn the nation about Maomi Deluxe? A gentle happiness abounds in this simple tale, set against the backdrop of a rapidly changing China.
Modern consumerism clashes with traditional Chinese culture, as observed by two cats in this small charmer.Pub Date: Dec. 11, 2012
ISBN: 978-1-250-01448-1
Page Count: 240
Publisher: St. Martin's
Review Posted Online: Sept. 15, 2012
Kirkus Reviews Issue: Oct. 1, 2012
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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