Three amiable, young ghost hunters learn lessons the hard way in this second installment of a middle-grade mystery series.
Pekin Dewlap grew up in the spirit world, able to see ghosts. But when the teenage Pekin hadn’t seen any since age 12, she missed the talent that made her feel special. So she started a ghost-busting business with her best friends, Amber and Scout. Later, Pekin developed a crush on Scout. In this second outing, the trio is recruited by the Dwyers, who wish to help their longtime ghost, a crying woman searching for her missing baby, to cross over. After talking with the Dwyers’ elderly neighbors, the Mastersons, the teens identify the spirit as Lily Grayson, who died during childbirth in the house. Shortly after Lily’s death, her husband, Ron, sold the place, then moved away with their infant daughter, Violet. But identifying Lily is only their first challenge. Lily reacts violently when Pekin tries to talk to her about Violet. Ron and Violet reject the team’s efforts to bring them to the Dwyers’ house. The friends then seek aid from their mentor, Mildew, and friendly ghost Miranda, whom they rescued in McCord’s (The Haunting of Elmwood Manor, 2019) series opener. This time out, the author shows the growth of Pekin, Amber, and Scout. Mildew offers them the opportunity to learn from her experiences, teaching them the tricks of the trade so they’re more prepared for danger. That promises to become even more important in future volumes, as McCord foreshadows Pekin’s starting to regain her paranormal ability. The friends also discover that every ghost requires different handling methods. On the personal side, while Amber is blissful in a relationship with jock Josh Parker, Pekin and Scout are stuck in romantic limbo, which interferes with their case until stress leads to a breakthrough. This sequel, with no villain, does lack the suspense of the first volume. And even though the ghost hunt only lasts a week, the pace seems too leisurely, with the teens having time for normal activities while on duty at the Dwyers’ home. Still, this charming mystery remains a step forward for the trio’s Ghost Company.
These fledgling ghost busters and their adventures should enchant readers.Pub Date: Oct. 29, 2019
ISBN: 978-1-947392-73-1
Page Count: 225
Publisher: Acorn Publishing
Review Posted Online: Jan. 17, 2020
Kirkus Reviews Issue: March 1, 2020
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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The phrase “tour de force” could have been invented for this audacious novel.
12
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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PROFILES
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A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
Categories: GENERAL FICTION
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