This spunky heroine sees dead people, to readers’ delight.
A debut YA novel features the message that ghosts have problems too.
In this series opener, McCord introduces a feisty protagonist. Pekin Dewlap, 15, is starting her own ghost-hunting business and plans to draft her best friends, Amber and Scout, for this venture. She has chosen to clean up haunted houses because, up until middle school, she was able to communicate with spirits. As she explains to her mother, Melissa, who used to have that same ability, “I want to be special again.” Pekin already has a client, Elonia Collins, who says the property she inherited at 12 Elmwood is haunted. Elonia suspects the apparition is Miranda Talbert, who was 14 when she disappeared in the house in 1918. Pekin, accompanied by her two reluctant friends, encounters Miranda on her first visit to Elmwood Manor. After Miranda gets comfortable with the trio, she admits she was murdered. During the attack, Miranda bit off and swallowed one of the killer’s fingers, keeping him from crossing over when he died. Since then, the culprit, imprisoned at Elmwood Manor, has been tormenting Miranda. So the three friends, aided by local psychic Mildred “Mildew” Willingham, must determine how to banish the killer and help Miranda find peace. In this novel, McCord certainly knows how to reach her target audience. Pekin is dealing with emotional changes in her life, including a growing attraction to Scout. In her thoughts, Pekin debates whether he really likes her. Amber is even more boy crazy while Scout is sometimes a typical, monosyllabic male teen when expressing his feelings. But, while acknowledging the teens’ daily struggles, this volume is primarily about solving the mystery. Pekin and company get away with pluck and ingenuity for a time, finally gathering enough knowledge to put them in danger. When the three friends inevitably get in over their heads, they wisely seek help from the adults in their lives, especially Mildew. What results is a winning, lighthearted paranormal tale for all ages.
This spunky heroine sees dead people, to readers’ delight.Pub Date: March 1, 2019
ISBN: 978-1-947392-46-5
Page Count: 214
Publisher: Acorn Publishing
Review Posted Online: Oct. 21, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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