A wildly entertaining take on Hollywood and the slime beneath the sparkle.
A Los Angeles noir novel shows readers a side of the city that they don’t often allow themselves to see.
A rising screenwriter, a smoky bar, a beautiful blonde across the room. The classic imagery is all here, but this isn’t quite that kind of story. The action immediately cuts to years later, when Dante Lee, the screenwriter—now a jaded never-was who files entertainment/gossip blog posts under a pseudonym—finds himself in the middle of what’s clearly not his first uncomfortable sex scene. Even outside Dante’s emotional exhaustion, Hollywood is clearly in decline, particularly due to a rash of hacking—and subsequent scandals—that has both studio executives and starlets waffling between panic and the warpath. Enter the blonde from the bar, Grace Chase, who’s used the intervening four years to build a successful acting career as the face of a now-major TV franchise. Dante’s anything but eager to help Grace, but he can’t abandon her to the hackers blackmailing her with incriminating photos. To help her, he’ll have to dig into parts of his history he’d rather forget and confront the uncomfortable facts of Grace’s life—and where that leaves him. The reluctant hero is one of many well-worn noir tropes Adam (American Asshole, 2016) employs, but the author uses them well. Dante is a perfect combination of charming and difficult for this sort of tale, and Grace is pitch-perfect as his opposite number. But the glue that holds it all together is the twisting novel’s style and sense of humor. Sharp narration and situation comedy blend with the genuine threat of the hackers and Hollywood itself to keep the pages turning. And Dante offers acerbic asides frequently, demonstrating more self-awareness than most protagonists (“Beyond the city limits of Los Angeles, there’s a high risk of contracting terminal boredom. Nothing interesting ever happened from traveling that far east”). He also envisions the way scenes in his life would look in movie form. These elements give the narration a unique sense of character and at the same time reveal the one thing Dante might not want readers to know—beneath the jaundiced exterior, he still holds his dreams of the silver screen.
A wildly entertaining take on Hollywood and the slime beneath the sparkle.Pub Date: July 21, 2016
ISBN: 978-1-64606-945-3
Page Count: -
Publisher: Post-Entropy
Review Posted Online: Oct. 14, 2016
Kirkus Reviews Issue: Dec. 1, 2016
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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