DeWitt creates a homage to life in the Wild West but at the same time reveals its brutality.
A calmly vicious journey into avarice and revenge.
The unusual title refers to Charlie and Eli Sisters, the latter of whom narrates the novel. The narrative style is flat, almost unfeeling, though the action turns toward the cold-blooded. It’s 1851, and the mysterious Commodore has hired the Sisters brothers to execute a man who’s turned against him. The brothers start out from their home in Oregon City in search of the equally improbably named Hermann Kermit Warm. The hit has been set up by Henry Morris, one of the Commodore’s minions, so the brothers set off for San Francisco, the last-known home of Warm. Along the way they have several adventures, including one involving a bear with an apple-red pelt. A man named Mayfield is supposed to pay them for this rare commodity but instead tries to cheat them, and the brothers calmly shoot four trappers who work for him. Charlie is the more sociopathic of the two, more addicted to women and brandy, while Eli, in contrast, is calmer, more rational, and even shows signs of wanting to give up the murder-for-hire business and settle down. But first, of course, they need to locate Warm. It turns out Morris has thrown in his lot with Warm, a crazed genius who has seemingly discovered a formula that helps locate gold—so much so that he can get in a day what it takes panners a month to glean. When they finally get to the gold-panners, the brothers wind up joining them, removing literally a bucket of gold from the stream. The caustic quality of Warm’s formula leads to disaster, however, and Indians show up at an opportune moment to steal the gold.
DeWitt creates a homage to life in the Wild West but at the same time reveals its brutality.Pub Date: May 3, 2011
ISBN: 978-0-06-204126-5
Page Count: 336
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 1, 2011
Kirkus Reviews Issue: Feb. 1, 2011
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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