by Patrick McCabe ‧ RELEASE DATE: March 1, 2001
One wonders, though, why McCabe seems compelled to keep retelling the same essential story, with minimal (albeit artful and...
The violent history that continues to plague the Irish writer's fragmented homeland, dramatized in such critically praised fiction as The Butcher Boy (1993) and Breakfast on Pluto (1998), once again suffuses his blackly comic—and frustratingly arch—latest.
Structured as a basically chronological series of related tales, McCabe's seventh novel chronicles the increasing dementia of Pat McNab, a middle-aged bachelor son of "Gullytown" in rural Northern Ireland—and a serial alcoholic whose problems only begin when he murders his nagging mother and buries her in the backyard. In a bifurcated narrative that observes Pat’s actions both through a boozy haze and from the viewpoint of an analytical (and annoyingly pedantic) omniscient observer, McCabe compiles a lurid and often risible catalogue of rapidly accumulating horrors. Egged on by the ghost of his (still domineering) "Mammy," Pat impulsively dispatches neurotic widow Mrs. Tubridy (who makes him her domestic slave and lover), an "interfering peddler of dirt" (i.e., a "turf salesman") unwise enough to threaten blackmail, a property-hungry neighbor, an amorous aunt retired from a career in pornographic films, and numerous others—including Pat's confederates in a botched drug operation, three wild girls who take a fancy to him (in a droll parody of the classical legend of the Golden Apples), and even the policeman who finally arrives to apprehend him. Or are these crimes only figments of Pat's drunken imagination?—a possibility clearly suggested by considerable internal evidence, including interpolated flashbacks to Pat's childhood, spent cowering under the thumb of his brutal father, a former IRA soldier himself irrationally inclined to "imagining things." Meanwhile, McCabe keeps it all moving along swiftly, employing snatches of sentimental poetry and pop songs as chapter headings and ironic refrains.
One wonders, though, why McCabe seems compelled to keep retelling the same essential story, with minimal (albeit artful and ghoulishly amusing) variations. One gets the point, appreciates the skill with which it's made, and wishes this impressively gifted author would move on.Pub Date: March 1, 2001
ISBN: 0-06-019678-5
Page Count: 320
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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