Though clearly the writing of an adolescent, sure to be a hit for anyone who can’t believe there are no more novels from a...
Juvenilia by the now-deceased O’Brian (Blue at the Mizzen, 1999, etc.), a fantasy of a panda-leopard’s coming of age first published in 1930.
In his foreword to the tale of the half-leopard, half-panda creature, O’Brian writes, “I doubt if my present self would have liked the twelve-year-old boy who wrote this tale—he certainly was not very popular among his brothers and sisters. Nevertheless, that remote being and myself, his aged descendant, are linked by a common delight in reading. . . .[T]he boy was also something of an invalid . . . and spent long periods of time in the incubator room [his father’s, a bacteriologist’s, laboratory]. . . . [T]he tasks left a good deal of time unoccupied, and since it was obviously unthinkable to bring a book to read, the boy, by some mental process I can no longer recall, decided to write one for himself, thus discovering an extraordinary joy which has never left him—that of both reading and writing at the same time.” Though this story was written by O’Brian, there is little connection to his later work, save the deep interest in the natural world shown by the famous character in his Aubrey-Maturin series of novels, Dr. Stephen Maturin. The tale, written in the first person, displays the talents of a precocious adolescent who already was adept at painting a setting and filling it with characters that are believable. The natural world, red in tooth and claw, is depicted as cold and harsh; in an early episode the young panda-leopard’s brother wanders out of the home and is torn apart by a hyena. The young panda-leopard has a variety of encounters with a variety of creatures, both animal and human, but there is little of the narrative drive that propels readers through O’Brian’s later fiction.
Though clearly the writing of an adolescent, sure to be a hit for anyone who can’t believe there are no more novels from a modern master.Pub Date: April 1, 2000
ISBN: 0-393-04918-3
Page Count: 100
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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