A frank, moving observation of a young daughter remembering her mother with purpose and strength.
In this middle-grade novel, a young girl embarks on a mission with new friends to save and share her late mother’s unpublished manuscripts.
Twelve-year-old Ellie Kerr has just moved back to the United States after living in Paris for four years, and she has a mission. Her mom, who recently succumbed to ovarian cancer, left behind an unpublished series of stories about “kids who travel and save the world,” along with a pile of publishers’ rejection letters. Ellie is determined to get them published, but she can’t access the manuscripts from Mom’s computer. Oddly, her mother secretly changed the password before she died, and the security protocol protecting it will destroy all of the computer’s data after too many consecutive wrong guesses. Even dad’s intelligence agency-trained, computer-whiz assistant can’t hack the system. Ellie, with the help of her new friends from school, aims to find the answer to the mystery. It turns out to be proof of her mother’s deep love and respect for her—and a reminder that inclusiveness and kindness can always defeat fear. Aertker (Priceless, 2016, etc.) threads this message fairly evenly throughout the narrative, although his characterization of Ellie’s xenophobic school principal is too heavy-handed to make a later about-face credible. Also, the novel’s heroic depiction of a real-life publisher strikes a promotional tone. However, the book’s first half, in which Ellie relives her time in Paris, will have a powerful impact on readers. As Ellie’s happiness at home and at her multicultural school fades with her mother’s illness, Aertker doesn’t sugarcoat Ellie’s perspective. The physical and emotional toll on Mom, and Ellie’s emotional ups and downs as she experiences shock, denial, hope, anger, and grief, have a poignant authenticity. The author also offers other sympathetic characters, including Munda, a cook and aspiring medical student from the West Indies, and Ellie’s father’s driver, Antoine, a cello-playing jazz musician.
A frank, moving observation of a young daughter remembering her mother with purpose and strength.Pub Date: July 1, 2018
ISBN: N/A
Page Count: 187
Publisher: Flying Solo Press, LLC
Review Posted Online: May 18, 2018
Review Program: Kirkus Indie
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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