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FLINT

Readers who don't mind the hiccup of the flashbacks that interrupt every third scene to backtrack anywhere from ten minutes...

Years after she was scarred and nearly killed by a double-dealing international criminal, a British undercover cop throws over the traces to go after him on her own—a busy first novel from journalist Eddy (Hunting Marco Polo, 1991, etc.)

"Finish it . . . Get it done," Inspector Grace Flint can still hear Frank Harling tell the confederate who murdered her partner in the sting operation that left her face shattered and her spirit cowed. Now that both have been rebuilt, she's been shuffled off to a desk job in Miami as the UK liaison to the Federal Crimes Joint Task Force. But when magnetic FBI officer Aldus Cutter invites her to get back in the saddle by posing as his wife to catch a merchant of counterfeit currency, two new developments end up emerging with startling clarity: (1) a line on what Harling's been up to since Flint last saw him fleeing the scene and where he might be holed up, and (2) an unmistakable hint that he's on the payroll of MI5, eating Her Majesty's bread along with Flint. Cutter's task force colleagues go after Harling, but they're a long step behind eager Flint. And a good thing too, because what Flint uncovers in her search for her would-be killer leads to an international conspiracy intricate and ambitious even by the standards of spy fiction, one whose tentacles reach to the highest levels of all the government agencies who are supposed to be backing Flint up-but may now be more interested in tracking her down.

Readers who don't mind the hiccup of the flashbacks that interrupt every third scene to backtrack anywhere from ten minutes ago to the heroine's childhood will find lots more surprises up Eddy's sleeve. A welcome debut, with a heroine volcanic enough for a series. (Film rights to Columbia)

Pub Date: Sept. 5, 2000

ISBN: 0-399-14653-9

Page Count: 352

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2000

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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