An engaging autobiographical novel, really as much memoir as fiction, from the mandarin stylist renowned for both personal history (A Stroke of Genius, 1995, etc.) and zestfully inventive fiction (Terrestrials, 1997, etc.). West’s subject this time is his wife, poet and naturalist Diane Ackerman (herself a noted nonfiction writer); specifically, their romantic friendship throughout the 1970s when both taught at fictional “Coriolus” (surely Cornell) University, and formed a bond uniting their separate, then increasingly common explorations of the worlds of art and science. He waxes rhapsodic when devising the affectionate names “Swan” (for both her physical grace and her love of flight) and “Ariada Mencken” (a clever anagram for “Diane Ackerman”); impishly comparing them both to Dante’s Paolo and Francesca; and celebrating each’s penchant for (wonderfully awful) word coinages and puns—to wit: “Our oral lives (in the verbal domain, that is) have always been two interacting Niagaras, opaque and weird to overhearers.” Chronology is treated cavalierly, as West noodles agreeably on such topics as their fascination with astronomy (“Far from star-crossed, we were cosmic lovers”), his own admittedly eccentric writing habits and passion for foreign novels and Milton’s poetry, hers for close observation of the physical world and sedulous “conveyance” of what she learns to others. A book within a book in effect develops from accounts of their travels to (then) Cape Canaveral to observe Viking and Voyager liftoffs, shepherded by their pseudonymous colleague Raoul Bunsen (“an astronomical combination of Andre Breton and Salvador Dali”), who, we’re probably safe to guess, is a fictionalized Carl Sagan. The book tools along aimlessly, but never fails to entertain, while creating a rich illusion of intimacy with two gifted and fascinating people for whom curiosity is one of the highest human virtues. It’s probably something less than an authoritative dual biography. On the other hand, what a terrific Valentine’s Day present—for Diane Ackerman, and us.
Pub Date: Feb. 22, 1999
ISBN: 0-684-84864-3
Page Count: 304
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
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