by Paula Marie Coomer ‧ RELEASE DATE: June 1, 2016
A lusty, tragic tale for readers who are willing to work for its satisfying moments of connection.
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Coomer’s (Dove Creek, 2010, etc.) second novel tracks the impact of an Australian lothario on two families, one Australian and the other American.
The story begins in the Australian Outback in the 1950s, where Edmonds Tuor and his wife, Cherise Marie, operate a caravan camp. Next door are Russell and Jeanne McMurtrey, Americans who’ve brought their two children to caravan through Australia on an educational journey. With the McCurtreys is a local hire, Rich Hand, a “road assistant and tour guide.” Rich has “Hair black like an oyster” and “Cobalt eyes,” which is evidently an irresistible combination, as both Cherise and Jeanne are separately swept away by his animal magnetism. The affairs result in both women getting pregnant. The McMurtreys return home to San Diego, where their new son, Dale, is born, and Cherise gives birth to Martin, her third child, in Australia. Martin eventually moves to America, and the second half of the novel follows him to Idaho, where he’s an on-again, off-again mental health patient. Much like his older brother, Piotr, who has “night terrors,” Martin suffers from “seizures” and hallucinations, which are depicted in harrowing detail. Coomer has woven an intriguing, complicated tale filled with so many characters that readers will need a score card to keep them all straight. Almost everyone has ties to everyone else in one way or another, in locations from Australia to America and through the decades of the second half of the 20th century. A few more signposts would have been useful; instead, readers will have to ferret out the revolving time frames from scant clues. Although the narrative is heavily character-driven, it’s also defined by its attention to local vernacular, its vivid imagery of the unforgivingly arid Outback, and its focus on the challenges faced by a unique assortment of people who have chosen to call it home. Overall, it’s a frustrating yet engrossing read that leaves readers pondering where the story might go next.
A lusty, tragic tale for readers who are willing to work for its satisfying moments of connection.Pub Date: June 1, 2016
ISBN: 978-1-945419-02-7
Page Count: 204
Publisher: Fawkes Press
Review Posted Online: May 26, 2016
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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