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Approaching Neverland

A MEMOIR OF EPIC TRAGEDY & HAPPILY EVER AFTER

Poignancy without pity, triumph without glory.

A captivating memoir of love, loss, mental illness and redemption.

Kennedy walked into her first day of first grade alone, with unkempt hair that both her parents had neglected to brush. So begins her saga of having a mother whose mental illness (eventually diagnosed as bipolar disorder) resulted in multiple psychiatric hospitalizations. Her mother’s condition led to greater challenges than messy hair, of course, which included near-fatal episodes involving delusional beliefs. The book’s scope ranges far beyond this single issue, however; Kennedy paints a vivid picture of a family’s travails and triumphs. She describes unintended pregnancies, unacknowledged homosexuality, substance abuse, military service in Vietnam, attempted suicide and homicide. Kennedy grounds her family’s history in the zeitgeist of changing times, enriching the narrative by illustrating the impact of societal issues on her loved ones. Her sophisticated rendering of bittersweet situations evokes complex emotional reactions. Despite the masterful emotional portrayal, Kennedy sometimes skims the surface when she discusses her own grief. A grittier discussion of that personal topic might have improved the memoir, but it’s not an omission that brings down the book as a whole. Each character—portrayed with empathy and balance—speaks with his or her distinctive voice, adding a layer of realism to dialogue. Kennedy’s straightforward writing and economical prose lend density to her telling; every page feels significant. Apt, memorable phrases—“Her voice sat up straight” and “[L]ife was an illusion. Love was the real living”—further animate the work. Kennedy’s experiences form a unique constellation, but the life lessons are universal.

Poignancy without pity, triumph without glory.

Pub Date: March 20, 2009

ISBN: 978-1440126123

Page Count: 272

Publisher: iUniverse

Review Posted Online: June 1, 2012

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WAR

An engrossing and ominous chronicle, told by a master of the form.

Documenting perilous times.

In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”

An engrossing and ominous chronicle, told by a master of the form.

Pub Date: Oct. 15, 2024

ISBN: 9781668052273

Page Count: 448

Publisher: Simon & Schuster

Review Posted Online: Oct. 15, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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