CLEOPATRA'S SISTER

This latest addition to the Lively oeuvre (The Road to Lichfield, City of the Mind, etc.) is a welcome one—a kind of romance with star-crossed lovers and all, but with a lot more sardonicism than Shakespeare ever vented on Romeo and Juliet. Here, the boy who meets girl is 36-year-old Howard Beamish, a British paleontologist who, after a number of unsatisfactory liaisons, comes to ``have serious doubts about the pair-bonding system,'' and therefore retreats into the ``impartial climate'' of his scientific heartthrob, the Burgess Shale. The girl is Lucy Faulkner, a journalist, who for a number of reasons doesn't let men get too close—chief among them being that her own father flew the coop when she was small. Lively offers periodic check-ins with these two as they approach that moment when they meet and fall in love on a flight to Nairobi that gets grounded in Callimbia, a small African country in the throes of revolution. Interspersed with all this is what the author calls ``A Brief History of Callimbia,'' which follows the nation's course from prehistoric times to the rocky present—all in an effort to show what a dicey enterprise history is, since it cannot tell the whole, true story of events. Meanwhile, the Brits aboard Flight 500 are held hostage by a mad dictator who likes Lucy because she reminds him of his mother; in one particularly funny scene, he forces her to play a board game with him. Lively opts for a happy outcome, though only after a few plot twists that make it clear that the matter of Howard and Lucy in love could very easily have turned out differently. This is amusing in the urbane British way, satiric without ever testing the limits of credibility, larkish but not fluffy—in short, more of the Lively right stuff.

Pub Date: April 14, 1993

ISBN: 0-06-016667-3

Page Count: 240

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1993

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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