Next book

SANGUINITY POINT

A fast-paced medical thriller not entirely sabotaged by theatrically overwrought prose.

A publicly disgraced doctor attempts to piece together a new career and finds himself inadvertently drawn into the world of organized crime. 

Dr. Benjamin Snow has a promising future; armed with an impressive academic pedigree, he’s a pediatric fellow at a prestigious Houston hospital. However, his dreams are suddenly shattered when Mr. Tepal, distraught over the hopeless condition of his “brain-dead child,” puts a gun to Benjamin’s head and orders that that he pull the boy off life support. Benjamin obliges and, in the aftermath, is cruelly hounded by sensationalist media who dub him “Young Doctor Death.” He loses his fellowship as a result of the negative publicity, though it’s never clear why anyone would hold him responsible under such extraordinary duress. (An aggressive police detective questions him zealously, confusingly accusing him of hoplophobia, a “morbid fear of firearms,” for not grabbing Mr. Tepal’s gun.) Benjamin is professionally banished to a job in Purgatory, Texas—Palmieri (The Art of Forgetting, 2013) displays an impressive breadth of literary talents in this medical thriller, but nuance isn’t one of them. Benjamin is bewildered by his new employer’s extraordinary financial success, especially given the poverty of its surrounding area. He becomes concerned about the relentless focus on profit at the practice and discovers that a nurse turned up dead after accusing one of its cardiologists of performing unnecessary surgeries. But when two of his colleagues suddenly die—and Benjamin stumbles on evidence of doctors’ connections to the drug trafficking underworld—he fearfully wonders what exactly he signed up for. The author packs the story with all the right ingredients: artfully crafted suspense, a morally complex protagonist, and a generous portion of action skillfully described. However, those virtues are often undermined by hokey or soap opera–ish melodrama. At one point, Benjamin’s boss, Dr. Soto-Prinz, brandishing a “Spanish conquistador dagger,” menacingly orders him to eat charcuterie, a clumsy way of revealing his despotic character. The novel remains an enjoyably easy read as long as one doesn't take it too seriously. 

A fast-paced medical thriller not entirely sabotaged by theatrically overwrought prose.

Pub Date: Dec. 14, 2017

ISBN: 978-1-973537-23-6

Page Count: 402

Publisher: Self

Review Posted Online: Feb. 3, 2020

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 63


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 63


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Close Quickview