This is a humane, riveting, epic novel that spotlights marginalized historical voices.
A rollicking novel that retells the history of British colonial exploration in Africa from the perspective of historical figures who have otherwise been silenced.
Zimbabwean writer Gappah (The Book of Memory, 2016, etc.) tells the story of the black attendants who bore the Scottish explorer David Livingstone's corpse from present-day Zambia to the African coast in the late 19th century. As the prologue says, "This story has been told many times before, but always as the story of the Doctor." Gappah turns the tables by making Livingstone's attendants into protagonists. Our heroes are Halima, a young slave woman Livingstone purchased as a partner for his assistant, the abusive and cruel Amoda; and Jacob Wainwright, a former slave from East Africa who was educated by Christian missionaries in Mumbai. Halima is a jovial and headstrong young woman who speaks boisterously despite her status. "Why any man would leave his own land and his wife and children to tramp in these dreary swamps...is beyond my understanding," she wonders about Livingstone. Jacob is Halima's opposite, a self-serious young man who keeps a journal which he hopes will be published in the future. When Livingstone dies of malaria, his attendants decide to carry his body to the coast in a display of loyalty, so that it may be carried back to England. After burying his heart in the village where he died, the band sets off toward Zanzibar in a show of dedication. The arduous journey through hostile terrain gradually erodes their reverence for the doctor, though. Halima begins to wonder how worthy he is of her dedication. "Was he worth it? What were we doing, taking a father to his children when he had let one of those children die?" Meanwhile, Jacob reads Livingstone's journals and finds a man whose anti-slavery ideals clash with his actions as a colonialist explorer. The journey to the coast turns out to be an education in how the band is oppressed by colonial power. Along the way, though, Gappah captures the diverse cultural milieu of colonial Africa with compelling detail. The result is a rich, vivid, and addictive book filled with memorably drawn characters.
This is a humane, riveting, epic novel that spotlights marginalized historical voices.Pub Date: Sept. 10, 2019
ISBN: 978-1-9821-1033-8
Page Count: 320
Publisher: Scribner
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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