A fine collection of tales, as unnerving as they are entertaining.
The blurry line between strangers and intimates is drawn, waveringly policed, and transgressed in these short stories.
Walker (At Danceteria and Other Stories, 2016) confronts his mostly female protagonists with new and disturbing relationships that lead to upsetting renegotiations of their lives. A wife discovers that her vain, unmarried mother gave up another daughter for adoption, and that sister reappears to reclaim a family life that never happened; a socially phobic woman weathers agonizing parties and then has to choose between a gorgeous new boyfriend and her trusty Toyota; a mother finds that she has more in common with her bitchy teen daughter than she would like, including their taste in men; and a Japanese salaryman in Singapore has his life destroyed when his lover’s roommate catches him using the ladies’ room. In addition, dowdy secretaries at a PR firm bristle at their hot new office mate and plot to hoist her by her own sex appeal; a woman restarts her life repeatedly in different corners of the world but is dogged by violent relationships with men; and a blocked writing professor rustles up material by stealing the ideas of her best student and starting an affair with a colleague whose wife is dying of cancer. Several tales feature gay men immersed in rough trade: A high school locker-room rape gets reprised later in a porn star’s edgy scenes; a male prostitute describes the prosaic realities of his job as the tricks turn darker. Walker’s scintillating stories crackle with frank sexuality and deadpan comedy. There’s a satirical edge to many of them, but they are always grounded in prose that’s realistic but extraordinarily vivid and even nightmarish. “When the nurse handed her the wrinkled little thing, its skin so much darker than hers and Takahiko’s, the baby opened its mouth and emitted a horrible shriek like a preening beastling, its eyes stapled shut with lines of mucus,” Walker writes in the eerie “Why Burden a Baby with a Body?” In this story, a young Japanese mother neglects her squalling newborn to obsess over a pretty, twinkling fantasy child in an online role-playing game. The result is a deep dissection of lives where the barriers to human connection can take on sometimes-comic, sometimes-monstrous proportions.
A fine collection of tales, as unnerving as they are entertaining.Pub Date: May 10, 2018
ISBN: 978-1-59021-678-1
Page Count: 228
Publisher: Lethe Press
Review Posted Online: July 24, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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