This great doorstop of a romantic tragedy illustrates Gregory’s winning formula: A young woman triumphs despite a hostile...
Gregory (The Other Queen, 2008, etc.) leaves Tudor gowns behind for the Jazz Age in this addictive tale, originally published in the United Kingdom in 1993, of two wounded soldiers and the pervasive cost of war.
The novel begins with Stephen Winters recalling the Flanders fields of World War I, of the deep mud and bits of bodies underfoot, of the unrelenting terror of gunfire. Since his father’s stroke (at the news of favorite son Christopher’s death), Stephen has taken over the law practice, and he finds solace only with Coventry, his mute chauffer and wartime aid. Then he sees Lily Valance singing at the theater and is thunderstruck by the luminous joy of her face and voice—she reminds him of girls before the war, before everything was ruined. He courts her with his wealth, but his advances are rejected; Lily is 17 and in love with the theater’s musical director, Charlie Smith (though devoted to Lily, he refuses to marry her—a war wound has left him impotent). When Lily’s mother dies, Stephen, convinced Lily will cure him of his shell shock, coerces her into wedlock at her most vulnerable. Their honeymoon is a disaster (Stephen is sadistic and controlling), and the marriage continues in this vein when Stephen brings her to live with his mother Muriel, disapproving of the merchant-class theater girl, and his father Rory, upstairs and half-dead. But Lily is bright and resilient, and soon she is singing again professionally (after a fat lip from Stephen). She has Rory up and beginning to speak, and even Muriel begrudgingly admits Lily has an undeniable grace. Their house becomes fashionable with both society mavens and young bohemians—the only one not happy is Stephen, who has become more violent and unpredictable. When they have a little boy, the emotional torment really starts. The only bright spot in Lily’s life is Charlie Smith, who vows to save Lily and her son, if only he’s able before Stephen destroys them all.
This great doorstop of a romantic tragedy illustrates Gregory’s winning formula: A young woman triumphs despite a hostile male society.Pub Date: Dec. 2, 2008
ISBN: 978-1-4165-9314-0
Page Count: 528
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2008
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
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