Gregory’s take on the (largely male-determined) fortunes of three Tudor women is venal, petty, and jaundiced but never dull.
The latest installment of Gregory's Tudor Court series fleshes out the sparse documentation on Queen Margaret of Scotland.
This narrative of three queens is told strictly from the perspective, often acerbic, often envious, of only one: Margaret Tudor, who became Queen of Scots when she married, by long planned arrangement, King James of Scotland in 1502. From the age of 12, Margaret delights or sometimes torments herself by making invidious comparisons between herself, her younger sister, Mary, and her sister-in-law Katherine of Aragon, dubbed “Arrogant” by Margaret. As the oldest child of Henry VII, the invading Tudor who deposed Richard III, Margaret has a cynical perspective on her siblings. Arthur, firstborn son, was raised to be king, while Henry, second son, was indulged and spoiled (which, Margaret implies, will have disastrous consequences later). After Arthur dies unexpectedly in Wales, Katherine returns to court and, for a time, much to Margaret’s barely suppressed glee, is in financial limbo while her marriage to the new heir, Harry, is negotiated. Once married to James, Margaret quickly supplies a crown prince. But King Henry’s decision to invade France, Scotland’s ally, subverts the Perpetual Peace Margaret’s nuptials were intended to cement. James is forced to invade England’s border shires, and an army, commanded by Katherine, does battle with the Scots, kills James, and brings back his body as a trophy as well as his bloodied coat, which Katherine sends to Henry as proof of her military prowess. This not only outrages Margaret, but profoundly destabilizes her position. The young widow makes the strategic error of marrying her former meat carver, a charming but false-hearted earl, Archibald. The fractious Scots lairds and their French handlers exile Margaret, taking charge of her two sons. There follows a series of unfortunate, or fortunate, events, depending on how they advance or undermine Margaret’s status, not to mention her right to precede her sister and sister-in-law into the dining hall.
Gregory’s take on the (largely male-determined) fortunes of three Tudor women is venal, petty, and jaundiced but never dull.Pub Date: Aug. 9, 2016
ISBN: 978-1-476-75857-2
Page Count: 464
Publisher: N/A
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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