A gutsy book that blazes trails, plotted at a breakneck speed that won’t let up.

ONE BLOOD

A governor and his sordid past are at the heart of a tale of retribution in Amaru’s stunning debut novel.

When Karen Lafitte disappears, her father, Louisiana governor Randy Lafitte, is initially skeptical of the ensuing ransom note. The governor believes that he’s responsible for his father’s death years earlier, resulting in a curse that’s been passed down the Lafitte line. He’s particularly concerned that his daughter is now the same age as his son, Kristopher, was when he was killed—18. In fact, in addition to money, the ransom note demands the pardon of a lifer, Lincoln Baker, who was imprisoned for the murderer of Randy’s son. What follows is an elaborate pattern of revenge involving multiple parties that delve into the Lafitte family history and Randy’s dark road to an elected office. Amaru’s greatest achievement is a nonlinear story that still manages to be clean-cut and precise. The plot bounces readers from one time period to another—flashbacks sometimes occur during other flashbacks, and dream sequences meld into memories and back into real time. Despite this narrative style, the story is, surprisingly, never perplexing. Amaru skillfully manages this feat by presenting uncertainty—such as Lincoln’s relationship with a man named Amir—but immediately clarifying it with prior events, complete with a time stamp. Similarly, voodoo and many appearances of loa (spirits) are treated sincerely, not merely as wacky, otherworldly manifestations. The thorough examination of peoples’ pasts allows for sharp, distinct characters. This heightens the tension between characters engaged in high-pressure situations, of which the author has ample supply. For deep-rooted characters immersed in violence, the novel’s defining moment may be a wounded man reciting the Lord’s Prayer aloud while dodging bullets in a blistering gun battle.

A gutsy book that blazes trails, plotted at a breakneck speed that won’t let up.

Pub Date: Nov. 29, 2011

ISBN: 978-0982719367

Page Count: 488

Publisher: The Pantheon Collective

Review Posted Online: Feb. 27, 2012

Did you like this book?

No Comments Yet

The phrase “tour de force” could have been invented for this audacious novel.

Reader Votes

  • Readers Vote
  • 12

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize
    winner

  • National Book Award Finalist

A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Did you like this book?

more