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ONE BLOOD

A gutsy book that blazes trails, plotted at a breakneck speed that won’t let up.

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A governor and his sordid past are at the heart of a tale of retribution in Amaru’s stunning debut novel.

When Karen Lafitte disappears, her father, Louisiana governor Randy Lafitte, is initially skeptical of the ensuing ransom note. The governor believes that he’s responsible for his father’s death years earlier, resulting in a curse that’s been passed down the Lafitte line. He’s particularly concerned that his daughter is now the same age as his son, Kristopher, was when he was killed—18. In fact, in addition to money, the ransom note demands the pardon of a lifer, Lincoln Baker, who was imprisoned for the murderer of Randy’s son. What follows is an elaborate pattern of revenge involving multiple parties that delve into the Lafitte family history and Randy’s dark road to an elected office. Amaru’s greatest achievement is a nonlinear story that still manages to be clean-cut and precise. The plot bounces readers from one time period to another—flashbacks sometimes occur during other flashbacks, and dream sequences meld into memories and back into real time. Despite this narrative style, the story is, surprisingly, never perplexing. Amaru skillfully manages this feat by presenting uncertainty—such as Lincoln’s relationship with a man named Amir—but immediately clarifying it with prior events, complete with a time stamp. Similarly, voodoo and many appearances of loa (spirits) are treated sincerely, not merely as wacky, otherworldly manifestations. The thorough examination of peoples’ pasts allows for sharp, distinct characters. This heightens the tension between characters engaged in high-pressure situations, of which the author has ample supply. For deep-rooted characters immersed in violence, the novel’s defining moment may be a wounded man reciting the Lord’s Prayer aloud while dodging bullets in a blistering gun battle.

A gutsy book that blazes trails, plotted at a breakneck speed that won’t let up.

Pub Date: Nov. 29, 2011

ISBN: 978-0982719367

Page Count: 488

Publisher: The Pantheon Collective

Review Posted Online: Feb. 27, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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