One of the best paranormal fantasy releases of this year—a self-publishing benchmark.

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Masters' Mysterium

WISCONSIN DELLS

This extraordinary work of paranormal fantasy—a debut, no less—revolves largely around the morally bankrupt owner of a museum of oddities who attempts to reinvigorate his flagging business by capturing the Hodag, a legendary creature believed to inhabit the woodlands of northern Wisconsin.

The Rev. Jay Masters is a scumbag. A former faith healer, he currently owns Masters’ Mysterium—“a collection of every oddity, rumor, hearsay, improbable event, and conundrum created by nature or man”—a failing business in Wisconsin Dells that’s being overshadowed by nearby amusement and water parks. With few options left, he hires three hillbilly hunters to go into northern Wisconsin and trap a mysterious beast that has been rumored to be killing unwary travelers. But when two of the hunters end up ripped apart, the sole survivor ranting about aliens and monsters, Masters decides to visit the remote town of Creekside himself. There, he meets the town’s strange residents, including his 21-year-old daughter, Trudy, a waitress at the unfortunately named Cluck and Grunt restaurant; she’s not exactly happy to meet him for the first time. The mythical beast turns out to be a demon, and Masters and his daughter soon become entangled in a supernatural war between seraphic beings and the forces of evil. But this isn’t run-of-the-mill paranormal fantasy with angels. The characters are extremely well-developed, the narrative is intelligent and at times highly humorous, the storyline is original and engaging, and the religious aspects are decidedly understated. The first installment of a series, this is paranormal fantasy done right: a unique, relentlessly entertaining page-turner that will appeal to a wide range of readers. Fortunately, there’s more to come.

One of the best paranormal fantasy releases of this year—a self-publishing benchmark.

Pub Date: Feb. 14, 2013

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: May 30, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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